Work
The author probably designed the work for calendrical purposes, to determine the era of the creation; his system, adopted as early as the 3rd century, is still followed. Adhering closely to the Pharisaic interpretations of Bible texts, he endeavored not only to elucidate many passages, but also to determine certain dates which are not indicated in the Bible, but which may be inferred by calculation. For example, the confusion of languages is said to have taken place in the days of Peleg (Genesis 10:25). The author concludes that the first year of Peleg's life cannot be meant, as at the time of the confusion Peleg had a younger brother, Joktan, and the latter had several children; nor could it have occurred during the middle years of his life, for Peleg lived 239 years, and the designation "middle years" is not an exact one (Genesis 11:18-19); had the redactor intended to indicate only a general period, he would have used the phrase "in the days of Peleg and Joktan." The Bible must therefore mean that the confusion of languages took place in the last year of Peleg's life, and by comparing the dates of the previous generations, the author concluded that it occurred 340 years after the Flood, or 1996 years after the creation of the world.
In many cases, however, he gave the dates according to tradition, and inserted, besides, the sayings and halakot of preceding rabbis and of his contemporaries. In discussing Biblical chronology he followed three principles:
- To assume that the intention of the Biblical author was, wherever possible, to give exact dates
- To assign to each of a series of events the shortest possible duration of time, where necessary, in order to secure agreement with the Biblical text
- To adopt the lesser of two possible numbers.
The application of these principles would obviously have had the effect of compressing the Biblical chronology. The following examples will illustrate the manner in which these principles are applied.
Read more about this topic: Seder Olam Rabbah
Famous quotes containing the word work:
“... actresses require protection in their art from blind abuse, from savage criticism. Their work is their religion, if they are seeking the best in their art, and to abuse that faith is to rob them, to dishonor them.”
—Nance O’Neil (1874–1965)
““Which is more important to you, your field or your children?” the department head asked. She replied, “That’s like asking me if I could walk better if you amputated my right leg or my left leg.””
—Anonymous Parent. As quoted in Women and the Work Family Dilemma, by Deborah J. Swiss and Judith P. Walker, ch. 2 (1993)
“A perfect personality ... is only possible in a state of society where man is free to choose the mode of work, the conditions of work, and the freedom to work. One to whom the making of a table, the building of a house, or the tilling of the soil, is what the painting is to the artist and the discovery to the scientist,—the result of inspiration, of intense longing, and deep interest in work as a creative force.”
—Emma Goldman (1869–1940)