Roles in Other Companies
She has also played leading roles in many other major houses across Canada, including the title role in Antony and Cleopatra by William Shakespeare (Centaur Theatre), Maggie in Cat on a Hot Tin Roof by Tennessee Williams (Grand Theatre, London), The Search for Signs of Intelligent Life in the Universe by Jane Wagner (Belfry Theatre, Neptune Theatre, National Arts Centre, Manitoba Theatre Centre/MTC), Blanche Dubois in A Streetcar Named Desire by Tennessee Williams (Theatre New Brunswick), Eliza Dollitle in Pygmalion and the title role in Candida by George Bernard Shaw (Shaw Festival), Medea by Euripides and Hedda Gabler by Henrik Ibsen (MTC), Blanche Dubois again at MTC, Wit by Margaret Edson at the Canadian Stage Company, Orpheus Descending by Tennessee Williams at the Manitoba Theatre Centre and Royal Alexandra Theatre, Doubt: A Parable by John Patrick Shanley at the Canadian Stage Company, Phèdre by Jean Racine (American Conservatory Theater), and The Year of Magical Thinking by Joan Didion (Belfry Theatre, Tarragon Theatre, and National Arts Centre).
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Famous quotes containing the words roles and/or companies:
“There is a striking dichotomy between the behavior of many women in their lives at work and in their lives as mothers. Many of the same women who are battling stereotypes on the job, who are up against unspoken assumptions about the roles of men and women, seem to accept—and in their acceptance seem to reinforce—these roles at home with both their sons and their daughters.”
—Ellen Lewis (20th century)
“Socialite women meet socialite men and mate and breed socialite children so that we can fund small opera companies and ballet troupes because there is no government subsidy.”
—Sugar Rautbord, U.S. socialite fund-raiser and self-described “trash” novelist. As quoted in The Great Divide, book 2, section 7, by Studs Terkel (1988)