Acting
His professional work in film began in 1998, when he co-wrote and played the lead role in the award-winning Pi, directed by longtime collaborator Darren Aronofsky. He has since played principal and supporting roles in some twenty films including Brad Anderson's Happy Accidents (with Vincent D'Onofrio and Marisa Tomei) and Darren Aronofsky's Requiem for a Dream (with Jennifer Connelly), the German film Toskana Karrussel (with Susanna Lothar) and as a guest actor on network TV dramas. His occasional theater work has included the lead in the New York premiere of Susan Sandler's If I Were a Train.
In 2010 he played principal roles in Blue Ridge, directed by Vincent Sweeney, and Die zwei Leben des Daniel Shore, with Nikolai Kinski and Morjana Alaoui, directed by Michael Dreher.
Gullette is rumored to be in talks to play the lead role in Tula Station, directed by Sergio Maroquin, from the award-winning novel by David Toscana, and the lead role in Lilith, a thriller from French director Fabien Martorell.
Gullette's spoken word piece is featured on the track "Song of Alice" from Israeli-French singer Keren Ann's fourth album, Nolita (2004) on Blue Note/Capitol/EMI Records.
He recorded vocal pieces for Northern Irish DJ and musician David Holmes's album Bow Down to the Exit Sign.
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Famous quotes containing the word acting:
“But when I saw that they were not acting consistently with the truth of the gospel, I said to Cephas before them all, “If you, though a Jew, live like a Gentile and not like a Jew, how can you compel the Gentiles to live like Jews?””
—Bible: New Testament, Galatians 2:14.
“If you are willing to inconvenience yourself in the name of discipline, the battle is half over. Leave Grandma’s early if the children are acting impossible. Depart the ballpark in the sixth inning if you’ve warned the kids and their behavior is still poor. If we do something like this once, our kids will remember it for a long time.”
—Fred G. Gosman (20th century)
“Acting is not about dressing up. Acting is about stripping bare. The whole essence of learning lines is to forget them so you can make them sound like you thought of them that instant.”
—Glenda Jackson (b. 1937)