Sea Shanty - "Shanties" Versus "sea Songs"

"Shanties" Versus "sea Songs"

Shanties are work songs and were originally sung only for work. However, sailors also sang for pleasure in the fo'c's'le (forecastle) where they slept or, in fine weather, gathered near the fore bitts (large posts on the foredeck). While songs with maritime themes were sung, all manner of popular songs and ballads on any subject might be sung off watch. The leisure songs associated with sailors are labeled simply as "sea songs," but they have no consistent formal characteristics. They are also popularly known among enthusiasts, especially when distinguishing them from shanties, as fo'c's'le songs or forebitters. Though those terms were not in great evidence in the 19th century, some literary references to "fore-bitter" and, less so, "fo'c'sle song," attest to their use even prior to the appearance of "shanty." Unlike shanties, during the singing of which one's hands were occupied, sea songs might be sung to the accompaniment of handy instruments like fiddle or concertina.

Examples of sea songs include "Spanish Ladies", first popular in the Royal Navy, and "The Stately Southerner", a ballad about a U.S. war ship. Examples of sea songs that were poorly documented in the sailing era, but which gained great popularity among singers in the revival era, are "The Leaving of Liverpool" and "Rolling Down to Old Maui."

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Famous quotes containing the words sea and/or songs:

    SWEENEY:
    Nothing to eat but the fruit as it grows.
    Nothing to see but the palmtrees one way
    And the sea the other way,
    Nothing to hear but the sound of the surf.
    Nothing at all but three things
    DORIS: What things?
    SWEENEY: Birth, and copulation, and death.
    —T.S. (Thomas Stearns)

    We who with songs beguile your pilgrimage
    And swear that Beauty lives though lilies die,
    We Poets of the proud old lineage
    Who sing to find your hearts, we know not why,
    James Elroy Flecker (1884–1919)