Scrimshaw - The Scrimshaw in The Field of Contemporary Plastic Arts

The Scrimshaw in The Field of Contemporary Plastic Arts

The Azorean Scrimshaw on canvas by R. Machado:

R. Machado learned the traditional scrimshaw with the artist João Baptista (Azorean scrimshander). For him the scrimshaw became a passion and an addiction. After Machado developed scrimshaw on whale's teeth, due to an ecologist option and in order to conserve wildlife, he changed and started to recreate this craft technique in the field of plastic arts using different materials (scrimshaw on canvas). The canvas is prepared with quality plaster and then the surface is hand engraved and finished with black India ink or watercolor. R. Machado also uses a distinct and expressive technique and due to inks used and paint with the canvas on the easel the inks oozes by the canvas. This is the artist way to maintain this craft technique alive.

Read more about this topic:  Scrimshaw

Famous quotes containing the words field, contemporary, plastic and/or arts:

    But the old world was restored and we returned
    To the dreary field and workshop, and the immemorial feud

    Of rich and poor. Our victory was our defeat.
    Sir Herbert Read (1893–1968)

    Generally there is no consistent evidence of significant differences in school achievement between children of working and nonworking mothers, but differences that do appear are often related to maternal satisfaction with her chosen role, and the quality of substitute care.
    Ruth E. Zambrana, U.S. researcher, M. Hurst, and R.L. Hite. “The Working Mother in Contemporary Perspectives: A Review of Literature,” Pediatrics (December 1979)

    The site of the true bottomless financial pit is the toy store. It’s amazing how much a few pieces of plastic and paper will sell for if the purchasers are parents or grandparent, especially when the manufacturers claim their product improves a child’s intellectual or physical development.
    Lawrence Kutner (20th century)

    Musick is certainly a very agreeable Entertainment, but if it would take the entire Possession of our Ears, if it would make us incapable of hearing Sense, if it would exclude Arts that have a much greater Tendency to the Refinement of human Nature; I must confess I would allow it no better Quarter than Plato has done, who banishes it out of his Common-wealth.
    Joseph Addison (1672–1719)