Scott Gibbons - Significant Works

Significant Works

  • Genesi: from the museum of sleep by Socìetas Raffaello Sanzio (1999) - music and sound for director Romeo Castellucci's landmark piece for theatre.
  • Scribble by Golan Levin, Scott Gibbons and Gregory Shakar (2000) - a performance on Levin's AVES gestural audio-video synthesis software.
  • Dialtones by Golan Levin, Scott Gibbons and Gregory Shakar (2002) - a performance for more than 200 cell phones.
  • Tragedia Endogonidia by Socìetas Raffaello Sanzio (2002–04) - music and sound for a series of eleven episodes, eleven video documents, an atlas room and numerous outgrowths.
  • Feu d'Artifice by Scott Gibbons and Groupe F (2003) - music arranged and performed using only captured sound and samples of pyrotechnics.
  • The Cryonic Chants by Scott Gibbons and Chiara Guidi (2005) - a vocal concert on a text which was formulaically created by a goat.
  • La Face Cachée du Soleil by Groupe F (2007) - theatre of fire, light and pyrotechnics with music by Laurent Dehors, Scott Gibbons and Eric Travers.
  • La Flamme de mes Rêves (Lux Populi ep. 1) by Groupe F (2008) - theatre of fire, light and pyrotechnics with music by Scott Gibbons.
  • Inferno, Purgatorio, Paradiso by Socìetas Raffaello Sanzio (2008) - trilogy freely inspired by the Divine Comedy of Dante Alighieri, with original music by Scott Gibbons.
  • des Paysages by Groupe F (2008) - theatre of fire, light and pyrotechnics with music by Scott Gibbons.

Read more about this topic:  Scott Gibbons

Famous quotes containing the words significant and/or works:

    “Play permits the child to resolve in symbolic form unsolved problems of the past and to cope directly or symbolically with present concerns. It is also his most significant tool for preparing himself for the future and its tasks.”
    —Bruno Bettelheim (20th century)

    “Again we mistook a little rocky islet seen through the “drisk,” with some taller bare trunks or stumps on it, for the steamer with its smoke-pipes, but as it had not changed its position after half an hour, we were undeceived. So much do the works of man resemble the works of nature. A moose might mistake a steamer for a floating isle, and not be scared till he heard its puffing or its whistle.”
    —Henry David Thoreau (1817–1862)