Film
In reviews of the 1999 film Bowfinger, some critics compared the fictional organization "MindHead" to the Church of Scientology. In the film, producer Bobby Bowfinger, played by Steve Martin, encounters difficulties involving actor Kit Ramsey, played by Eddie Murphy. Paul Clinton writes in CNN online: "'Bowfinger' could just be viewed as an out-there, over-the-top spoof about Hollywood, films, celebrities and even the Church of Scientology. But Martin has written a sweet story about a group of outsiders with impossible dreams." Andrew O'Hehir writes in Salon that "Too much of 'Bowfinger' involves the filmmakers' generically wacky pursuit of the increasingly paranoid Kit, who flees into the clutches of a pseudo-Scientology outfit called MindHead (their slogan: 'Truth Through Strength')." The Denver Post describes the Kit Ramsey character as "...petulant, paranoid and pampered, like any good star, and also a devotee of a Scientology-like religion." In a review in the San Francisco Chronicle, Wesley Morris describes Ramsey's organization as "a mock-Scientology cult called MindHead - a bit that sprung from Martin's own issues with MENSA." The Albuquerque Journal describes the MindHead organization "a rather thinly veiled but nevertheless amusing blast at Scientology," and the Fort Worth Star-Telegram characterizes it as an "organization that comes across as a thinly veiled send-up of Scientology."
Some critics perceived the 2000 film Bless the Child to be mocking Scientology because the fictionalized cult "The New Dawn" in the film mimicked Scientology's symbols and rhetoric.
Paul Thomas Anderson's 2012 film The Master features a religious organization called "The Cause" that has many similarities to Scientology. Also, the character of Lancaster Dodd, played by Philip Seymour Hoffman shares a physical resemblance to Scientology founder L. Ron Hubbard.
Read more about this topic: Scientology In Popular Culture
Famous quotes containing the word film:
“All film directors, whether famous or obscure, regard themselves as misunderstood or underrated. Because of that, they all lie. They’re obliged to overstate their own importance.”
—François Truffaut (1932–1984)
“You should look straight at a film; that’s the only way to see one. Film is not the art of scholars but of illiterates.”
—Werner Herzog (b. 1942)
“Film music should have the same relationship to the film drama that somebody’s piano playing in my living room has to the book I am reading.”
—Igor Stravinsky (1882–1971)