Science and Inventions of Leonardo Da Vinci - Approach To Scientific Investigation

Approach To Scientific Investigation

During the Renaissance, the study of art and science was not perceived as mutually exclusive; on the contrary, the one was seen as informing upon the other. Although Leonardo's training was primarily as an artist, it was largely through his scientific approach to the art of painting, and his development of a style that coupled his scientific knowledge with his unique ability to render what he saw that created the outstanding masterpieces of art for which he is famous.

As a scientist, Leonardo had no formal education in Latin and mathematics and did not attend a university. Because of these factors, his scientific studies were largely ignored by other scholars. Leonardo's approach to science was one of intense observation and detailed recording, his tools of investigation being almost exclusively his eyes. His journals give insight into his investigative processes.

A recent and exhaustive analysis of Leonardo as a scientist by Fritjof Capra argues that Leonardo was a fundamentally different kind of scientist from Galileo, Newton, and other scientists who followed him, his theorizing and hypothesizing integrating the arts and particularly painting. Capra sees Leonardo's unique integrated, holistic views of science as making him a forerunner of modern systems theory and complexity schools of thought.

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