Schulze Baking Company Plant - Architecture

Architecture

The building is a white terra cotta structure designed by John Ahlschlager in 1914 for the Schulze Baking Company. The terra cotta walls were five storeys high. The building featured blue lettering, foliated cornice ornamentation, and stringcourses of rosettes. The building uses 700 windows grouped to complement the ornamentation's allusion to themes of nature and purity. The ornamentation is considered abstract, Sullivanesque and modern. The company used Apron conveyor manufactured by the Jeffrey Manufacturing Company of Columbus, Ohio. A lengthy low industrial complex extends northward behind the main five-story building.

The structure has a flat concrete slab floor with four-way reinforcement designed to support 300 pounds per square inch (2,100 kPa). The dimensions of the building 298 feet 4 inches (90.93 m) by 160 feet (49 m) and it is composed of floor space segmented into 17 feet 6 inches (5.33 m) by 20 feet (6.1 m). The second floor is 9 inches (23 cm) thick except in the 7 feet 6 inches (2.29 m) square surrounding each column where it is 14 inches (36 cm) thick.

As of late 2008, the building was showing signs of wear, disrepair and neglect. At least one terra cotta cornice was missing, and the building had numerous walkway coverings to protect passersby from falling debris such as further terra cotta loss. One side wall was propped up with wood beams at 45 degree angles. In addition, the building has some graffiti markings.

Read more about this topic:  Schulze Baking Company Plant

Famous quotes containing the word architecture:

    Polarized light showed the secret architecture of bodies; and when the second-sight of the mind is opened, now one color or form or gesture, and now another, has a pungency, as if a more interior ray had been emitted, disclosing its deep holdings in the frame of things.
    Ralph Waldo Emerson (1803–1882)

    For it is not metres, but a metre-making argument, that makes a poem,—a thought so passionate and alive, that, like the spirit of a plant or an animal, it has an architecture of its own, and adorns nature with a new thing.
    Ralph Waldo Emerson (1803–1882)

    The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.
    Federico García Lorca (1898–1936)