Changing The Plane of Focus
When the lens and image planes are not parallel, adjusting focus rotates the PoF rather than displacing it along the lens axis. The axis of rotation is the intersection of the lens’s front focal plane and a plane through the center of the lens parallel to the image plane, as shown in Figure 3. As the image plane is moved from IP1 to IP2, the PoF rotates about the axis G from position PoF1 to position PoF2; the “Scheimpflug line” moves from position S1 to position S2. The axis of rotation has been given many different names: “counter axis” (Scheimpflug 1904), “hinge line” (Merklinger 1996), and “pivot point” (Wheeler).
Refer to Figure 4; if a lens with focal length f is tilted by an angle θ relative to the image plane, the distance J from the center of the lens to the axis G is given by
- .
If v′ is the distance along the line of sight from the image plane to the center of the lens, the angle ψ between the image plane and the PoF is given by
- .
Equivalently, on the object side of the lens, if u′ is the distance along the line of sight from the center of the lens to the PoF, the angle ψ is given by
- .
The angle ψ increases with focus distance; when the focus is at infinity, the PoF is perpendicular to the image plane for any nonzero value of tilt. The distances u′ and v′ along the line of sight are not the object and image distances u and v used in the thin-lens formula
- ,
where the distances are perpendicular to the lens plane. Distances u and v are related to the line-of-sight distances by u = u′ cos θ and v = v′ cos θ.
For an essentially planar subject, such as a roadway extending for miles from the camera on flat terrain, the tilt can be set to place the axis G in the subject plane, and the focus then adjusted to rotate the PoF so that it coincides with the subject plane. The entire subject can be in focus, even if it is not parallel to the image plane.
The plane of focus also can be rotated so that it does not coincide with the subject plane, and so that only a small part of the subject is in focus. This technique sometimes is referred to as “anti-Scheimpflug”, though it actually relies on the Scheimpflug principle.
Rotation of the plane of focus can be accomplished by rotating either the lens plane or the image plane. Rotating the lens (as by adjusting the front standard on a view camera) does not alter linear perspective in a planar subject such as the face of a building, but requires a lens with a large image circle to avoid vignetting. Rotating the image plane (as by adjusting the back or rear standard on a view camera) alters perspective (e.g., the sides of a building converge), but works with a lens that has a smaller image circle. Rotation of the lens or back about a horizontal axis is commonly called tilt, and rotation about a vertical axis is commonly called swing.
Read more about this topic: Scheimpflug Principle
Famous quotes containing the words changing, plane and/or focus:
“Loves riddles are, that though thy heart depart,
It stayes at home, and thou with losing savest it:
But wee will have a way more liberall,
Then changing hearts, to joyne them, so wee shall
Be one, and one anothers All.”
—John Donne (15721631)
“Even though I had let them choose their own socks since babyhood, I was only beginning to learn to trust their adult judgment.. . . I had a sensation very much like the moment in an airplane when you realize that even if you stop holding the plane up by gripping the arms of your seat until your knuckles show white, the plane will stay up by itself. . . . To detach myself from my children . . . I had to achieve a condition which might be called loving objectivity.”
—Anonymous Parent of Adult Children. Ourselves and Our Children, by Boston Womens Health Book Collective, ch. 5 (1978)
“If we focus mostly on how we might have been partly or wholly to blame for what might have been less than a perfect, problem- free childhood, our guilt will overwhelm their pain. It becomes a story about us, not them. . . . When we listen, accept, and acknowledge, we feel regret instead, which is simply guilt without neurosis.”
—Jane Adams (20th century)