Save Me is a song written and performed by Aimee Mann for use in the film Magnolia. It appears on the Magnolia soundtrack, which was released on December 7, 1999. The song also appears on the European edition of the album Bachelor No. 2 or, the Last Remains of the Dodo (2000), as well as the 2007 compilation album Acoustic 07.
In 1999 "Save Me" was nominated for an Academy Award for Best Song, which it lost to "You'll Be in My Heart" from the Disney movie Tarzan. By way of introduction to a live performance, Mann has referred to "Save Me" as "the song that lost an Oscar to Phil Collins and his cartoon monkey love song." Furthermore, Mann has occasionally dedicated her song to Collins in several different venues, albeit in jest.
It is Mann's most well-known song, as evidenced by its Grammy nomination in 2001 for Best Pop Female Vocal (she lost to Macy Gray's "I Try").
The music video, shot during the filming of Magnolia, was directed by the film's director, Paul Thomas Anderson, and uses many of the film's actors, including Julianne Moore, Philip Seymour Hoffman, Tom Cruise, William H. Macy, and John C. Reilly. The video inserts Mann into various scenes from the film as she performs the song. Unlike many such music videos, the "Save Me" video used no digital manipulation involved; the scenes were shot at the end of filming days with Mann and actors who were asked to stay in place.
Besides Magnolia, the song has also been featured in episodes of the TV series Cold Case, Portlandia, and HaShminiya, and the film The Jane Austen Book Club,
Famous quotes containing the words save and/or mann:
“The dogmas of the quiet past, are inadequate to the stormy present. The occasion is piled high with difficulty, and we must rise with the occasion. As our case is new, so we must think anew, and act anew. We must disenthrall ourselves, and then we shall save our country.”
—Abraham Lincoln (18091865)
“The meeting in the open of two dogs, strangers to each other, is one of the most painful, thrilling, and pregnant of all conceivabale encounters; it is surrounded by an atmosphere of the last canniness, presided over by a constraint for which I have no preciser name; they simply cannot pass each other, their mutual embarrassment is frightful to behold.”
—Thomas Mann (18751955)