Saturn Award For Best Performance By A Younger Actor

The following is a list of Saturn Award winners for Best Performance by a Younger Actor:

Year Actor Motion Picture
1984 Noah Hathaway The NeverEnding Story
1985 Barret Oliver D.A.R.Y.L.
1986 Carrie Henn Aliens
1987 Kirk Cameron Like Father Like Son
1988 Fred Savage Vice Versa
1989/90 Adan Jodorowsky Santa Sangre
1991 Edward Furlong Terminator 2: Judgment Day
1992 Scott Weinger Aladdin
1993 Elijah Wood The Good Son
1994 Kirsten Dunst Interview with the Vampire
1995 Christina Ricci Casper
1996 Lucas Black Sling Blade
1997 Jena Malone Contact
1998 Tobey Maguire Pleasantville
1999 Haley Joel Osment The Sixth Sense
2000 Devon Sawa Final Destination
2001 Haley Joel Osment A.I.
2002 Tyler Hoechlin Road to Perdition
2003 Jeremy Sumpter Peter Pan
2004 Emmy Rossum Phantom of the Opera
2005 Dakota Fanning War of the Worlds
2006 Ivana Baquero Pan's Labyrinth
2007 Freddie Highmore August Rush
2008 Jaden Christopher Smith The Day the Earth Stood Still
2009 Saoirse Ronan The Lovely Bones
2010 Chloƫ Grace Moretz Let Me In
2011 Joel Courtney Super 8

Famous quotes containing the words saturn, award, performance, younger and/or actor:

    The forehead and the little ears
    Have gone where Saturn keeps the years;
    The breast where roses could not live
    Has done with rising and with falling.
    Edwin Arlington Robinson (1869–1935)

    The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.
    Robert Graves (1895–1985)

    There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.
    Roland Barthes (1915–1980)

    If we are the younger, we may envy the older. If we are the older, we may feel that the younger is always being indulged. In other words, no matter what position we hold in family order of birth, we can prove beyond a doubt that we’re being gypped.
    Judith Viorst (20th century)

    An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. A woman in agony of spirit might turn her head just so; a man in deep humiliation probably would wring his hands in such a way. From straws like these, drawn from completely different sources, the fabric of a character may be built. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.
    Eleanor Robson Belmont (1878–1979)