Genre and Style
Saturday is a "post 9/11" novel, dealing with the change in lifestyle faced by Westerners after the 11th of September attacks. As such, Christopher Hitchens characterised it as "unapologetically anchored as it is in the material world and its several discontents". "Structurally, Saturday is a tightly wound tour de force of several strands", it is both a thriller which portrays a very attractive family, and an allegory of the world after 11 September 2001 which meditates on the fragility of life.
The book obeys the classical unities of place, time and action, following one man's day against the backdrop of a grander historical narrative - the anti-war protests happening in the city that same day. The protagonist's errands are surrounded by the recurring leitmotif of hyper real, ever-present screens which report the progress of the plane and the march Perowne has earlier encountered. Saturday is in tune with its protagonist's literary tastes, "magical realism" it is not. The 24-hour narrative led critics to compare the book to similar novels, especially Ulysses by James Joyce, which features a man crossing a city, and Virginia Woolf's Mrs. Dalloway, of which Michiko Kakutani described Saturday as an "up-to-the-moment, post-9/11 variation."
The novel is narrated in the third person, limited point of view: the reader learns of events as Perowne does. Using the free indirect style the narrator inhabits Perowne, a neurosurgeon, who often thinks rationally, explaining phenomena using medical terminology. This allows McEwan to capture some of the "white noise that we almost forget as soon as we think it, unless we stop and write it down." Hitchens highlighted how the author separates himself from his character with a "Runyonesque historical present ("He rises …" "He strides …") that solidifies the context and the actuality."
Read more about this topic: Saturday (novel)
Famous quotes containing the words genre and/or style:
“We ignore thriller writers at our peril. Their genre is the political condition. They massage our dreams and magnify our nightmares. If it is true that we always need enemies, then we will always need writers of fiction to encode our fears and fantasies.”
—Daniel Easterman (b. 1949)
“Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germans—forgive me the fact that even Goethe’s prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the “good old time” to which it belongs, and a reflection of German taste at a time when there still was a “German taste”Ma rococo taste in moribus et artibus.”
—Friedrich Nietzsche (1844–1900)