Saraiki Culture - Architecture

Architecture

See also: List of places in Multan, Bahawalpur, Derawar Fort, and Noor Mahal

Multan is one of the oldest cities in South Asia, with many tombs, shrines, temples, cathedrals and mausoleums, as well as a historical fort. Today Multan is a combination of old and the new Pakistan culture. There is a big hustle bustle in the old city and comfort of a five star hotel and fine dining in the new. The old city has a various bazaars selling mystical artifacts, perfumes to arts and crafts. There are also elaborately decorated shrines of the Sufi saints, tombs of various travellers and important people within the old city of Multan. The prime attractions of Multan are its mausoleums of Sufi saints. The Mausoleum of Sheikh Baha-ud-Din Zakariya, as well as the Mausoleum of Shah Rukn-e-Alam are the prime attractions of the city. Their lofty domes of are visible, from miles and dominate the skyline of Multan. Another popular shrine is the Mausoleum of Shams-ud-Din, commonly known as Shah Shamsuddin Sabzwari is located about half a mile to the east of the Multan Fort, on the high bank of the old bed of the Ravi River. Another famous and beautiful mausoleum of a warrior sufi saint and poet Hazrat Hafiz Muhammad Jamal Multani (1747-1811 AD) is situated near Aam Khas garden outside Daulat Gate, Multan.

There are many beautiful buildings, castles and palaces in Bahawalpur, Dera Ghazi Khan and Mankera.

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Famous quotes containing the word architecture:

    “The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.”
    —Federico García Lorca (1898–1936)

    “For it is not metres, but a metre-making argument, that makes a poem,—a thought so passionate and alive, that, like the spirit of a plant or an animal, it has an architecture of its own, and adorns nature with a new thing.”
    —Ralph Waldo Emerson (1803–1882)

    “In short, the building becomes a theatrical demonstration of its functional ideal. In this romanticism, High-Tech architecture is, of course, no different in spirit—if totally different in form—from all the romantic architecture of the past.”
    —Dan Cruickshank (b. 1949)