Sarah Bernhardt - Selected Roles

Selected Roles

  • 1862: Racine's Iphigénie in the title role, her debut.
  • 1862: Eugène Scribe's Valérie
  • 1862: Molière's Les Femmes Savantes
  • 1864: Labiche & Deslandes, Un Mari qui Lance sa Femme
  • 1866: T & H Cognard's La Biche aux Bois
  • 1866: Racine's Phèdre (as Aricie)
  • 1866: Pierre de Marivaux's Le Jeu de l'Amour et du Hasard (as Silvia)
  • 1867: Molière's Les Femmes Savantes (as Armande)
  • 1867: George Sand's Le Marquis de Villemer
  • 1867: Georges Sand's "François le Champi" (as Mariette)
  • 1868: Dumas père's Kean (as Anna Damby)
  • 1869: Coppée's La Passant, as a male troubadour (Zanetto); her first major stage success
  • 1870: George Sand's L'Autre
  • 1871: Theuriet's Jeanne-Marie
  • 1871: Coppée's Fais ce que Dois
  • 1871: Foussier and Edmond La Baronne
  • 1872: Bouilhet's Mademoiselle Aïssé
  • 1872: Hugo's Ruy Blas (as Doña Maria de Neubourg, Queen of Spain)
  • 1872: Dumas père Mademoiselle de Belle-Isle (as Gabrielle)
  • 1872: Racine's Britannicus (as Junie)
  • 1872: Beaumarchais's Le Mariage de Figaro
  • 1872: Sandeau's Mademoiselle de la Seiglière
  • 1873: Feuillet's Dalila (as Princess Falconieri)
  • 1873: Ferrier's Chez l'Avocat
  • 1873: Racine's Andromaque
  • 1873: Racine's Phèdre (as Aricie)
  • 1873: Feuillet's Le Sphinx''
  • 1874: Voltaire's Zaire
  • 1874: Racine's Phèdre (as Phèdre)
  • 1875: Bornier's La Fille de Roland
    • Dumas fils' L'Étrangère (as Mrs. Clarkson)
    • Parodi's Rome Vaincue
  • 1877: Hugo's Hernani (as Doña Sol)
  • 1879: Racine's Phèdre (as Phèdre)
  • 1880: Émile Augier's L'Aventurière
  • 1880: Legouvé & Scribe's Adrienne Lecouvreur
  • 1880: Meilhac & Halévy's Froufrou
  • 1880: Dumas fils' La Dame aux Camélias (as Maguerite)
  • 1882: Sardou's Fédora''
    • Sardou's Théodora (as Theodora, Empress of Byzantium)
  • 1887 : Victorien Sardou's La Tosca
    • Dumas fils' La Princesse Georges
  • 1890: Sardou's Cléopâtre, as Cleopatra
  • 1893: Lemaître's Les Rois
  • 1894: Sardou's Gismonda (pictured)
  • 1895: Molière's Amphytrion
  • 1895: Magda(translation of Sudermann's Heimat)
  • 1896: La Dame aux Camélias
  • 1896: Musset's Lorenzaccio (as Lorenzino de' Medici)
  • 1897: Sardou's Spiritisme
  • 1897: Rostand's La Samaritaine
  • 1897: Octave Mirbeau's Les Mauvais bergers
  • 1898: Catulle Mendès Medée
  • 1898: La Dame aux Camélias (as Marguerite Gautier)
    • Barbier's Jeanne d'Arc (as Joan of Arc)
    • Morand & Sylvestre's Izéïl (as Izéïl)
    • Shakespeare's King Lear (as Cordelia)
  • 1899: Shakespeare's Hamlet (as Hamlet)
    • Shakespeare's Antony and Cleopatra (as Cleopatra)
    • Shakespeare's Macbeth (as Lady Macbeth) (in French)
    • Richepin's Pierrot Assassin (as Pierrot)
  • 1900: Rostand's L'Aiglon as L'Aiglon
  • 1903: Sardou's La Sorcière
  • 1904: Maeterlinck's Pelléas et Mélisande (as Pelléas)
  • 1906: Ibsen's The Lady From the Sea
  • 1906: Mendès' La Vierge d'Avila (as Saint Theresa)
  • 1911: Moreau's Les Amours de la reine Élisabeth (as Queen Elizabeth)
  • 1913: Bernard's Jeanne Doré (as Jeanne Doré)

Read more about this topic:  Sarah Bernhardt

Famous quotes containing the words selected and/or roles:

    She was so overcome by the splendor of his achievement that she took him into the closet and selected a choice apple and delivered it to him, along with an improving lecture upon the added value and flavor a treat took to itself when it came without sin through virtuous effort. And while she closed with a Scriptural flourish, he “hooked” a doughnut.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)

    A concern with parenting...must direct attention beyond behavior. This is because parenting is not simply a set of behaviors, but participation in an interpersonal, diffuse, affective relationship. Parenting is an eminently psychological role in a way that many other roles and activities are not.
    Nancy Chodorow (20th century)