Culture
Some important figures related to the history of Santiago del Estero are Colonel Juan Francisco Borges, who led the local battalion of the Army of the North during the Argentine War of Independence (and an ancestor of writer Jorge Luis Borges), the 19th-century painter Felipe Taboada, as well as Francisco René and Mario Roberto Santucho, founders of the Partido Revolucionario de los Trabajadores (Workers' Revolutionary Party, PRT) and the Ejército Revolucionario del Pueblo (People's Revolutionary Army, ERP), the two leading guerrilla organizations during the wave of unrest in the 1970s.
The city is home to numerous important Argentine artists, such as Ramon Gómez Cornet, Carlos Sánchez Gramajo, Alfredo Gogna, Ricardo and Rafael Touriño in visual arts, and Jorge Washington Ábalos, Bernardo Canal Feijóo, Clementina Rosa Quenel, Alberto Tasso, Carlos Virgilio Zurita and Julio Carreras (h) in literature.
Santiago's musical heritage is one of the most important cultural aspects of the city, with typical folklore chacarera and zamba. Some renowned artists and groups include the Manseros Santiagueños, the Ábalos Brothers (led by Adolfo and Alfredo Ábalos), Jacinto Piedra and Raly Barrionuevo.
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Famous quotes containing the word culture:
“Let a man attain the highest and broadest culture that any American has possessed, then let him die by sea-storm, railroad collision, or other accident, and all America will acquiesce that the best thing has happened to him; that, after the education has gone far, such is the expensiveness of America, that the best use to put a fine person to is to drown him to save his board.”
—Ralph Waldo Emerson (1803–1882)
“There is something terribly wrong with a culture inebriated by noise and gregariousness.”
—George Steiner (b. 1929)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)