Interior
The church was designed by Antonio Casoni and built between 1626 and 1631. It comprises a small nave and several side chapels. The chapels are notable as one contains the body of St. Felix of Cantalice and another is the tomb of the Blessed Crispin of Viterbo.
The first chapel has a dramatic altarpiece of St. Michael the Archangel (c.1635) by Guido Reni, and Gherardo delle Notti's Christ Mocked. The second chapel has a Transfiguration by Mario Balassi, and a Nativity (c. 1632) by Lanfranco. The third chapel has a Saint Francis receives stigmata by Domenichino. The fourth chapel houses a Prayer in the Gesthemane (c. 1632) by Baccio Ciarpi. In the fifth chapel is a Saint Anthony by Sacchi, who also painted the Apparition of the Virgin (1645) to Saint Bonaventure in the fifth chapel on the left. The tomb monument for Alexander Sobieski was sculpted by Camillo Rusconi. The third chapel has a Deposition by Andrea Camassei and a Stigmatization of Saint Francis (c. 1570) by Girolamo Muziano. The second chapel has a Santa Felice da Cantalice by Alessandro Turchi, while the first has a painting of Saint Paul restores vision (c. 1631) by Pietro da Cortona.
Read more about this topic: Santa Maria Della Concezione Dei Cappuccini
Famous quotes containing the word interior:
“Anyone with a real taste for solitude who indulges that taste encounters the dangers of any other drug-taker. The habit grows. You become an addict.... Absorbed in the visions of solitude, human beings are only interruptions. What voice can equal the voices of solitude? What sights equal the movement of a single day’s tide of light across the floor boards of one room? What drama be as continuously absorbing as the interior one?”
—Jessamyn West (1902–1984)
“Men expect too much, do too little,
Put the contraption before the accomplishment,
Lack skill of the interior mind
To fashion dignity with shapes of air.
Luxury, yes but not elegance!”
—Allen Tate (1899–1979)
“The work of art, just like any fragment of human life considered in its deepest meaning, seems to me devoid of value if it does not offer the hardness, the rigidity, the regularity, the luster on every interior and exterior facet, of the crystal.”
—André Breton (1896–1966)