Culture
San Gimignano is the birthplace of the poet Folgore da San Gimignano (1270–1332).
A fictionalised version of San Gimignano is featured in E. M. Forster's 1905 novel, Where Angels Fear to Tread as Monteriano.
Tea with Mussolini, a 1999 drama about the plight of English and American expatriate women in Italy during World War II, was filmed in part at San Gimignano. The frescoes that the women save from being destroyed during the German Army's withdrawal are inside the Duomo, the town's main church.
Franco Zeffirelli used San Gimignano as a stand-in for the town of Assisi in his 1972 St. Francis of Assisi biopic Brother Sun, Sister Moon. Most of the "Assisi" scenes were filmed here.
In the novel The Broker by John Grisham, Joel Backman takes his second of three wives on vacation in Italy to keep her from divorcing him. They rent a 14th century monastery near San Gimignano for a month.
M. C. Escher's 1923 woodcut, San Gimignano, depicts the celebrated towers.
15th century San Gimignano may be explored in the video game Assassin's Creed II.
Located in the heart of the city, the museum SanGimignano1300 offers a massive reconstruction of the city as it existed 700 years ago. Architects, historians, and a team of artists worked nearly 3 years to create this spectacular and unprecedented exhibition. This exhibit includes 800 meticulously handcrafted structures, 72 towers, street scenes, and figurines.
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Famous quotes containing the word culture:
“The anorexic prefigures this culture in rather a poetic fashion by trying to keep it at bay. He refuses lack. He says: I lack nothing, therefore I shall not eat. With the overweight person, it is the opposite: he refuses fullness, repletion. He says, I lack everything, so I will eat anything at all. The anorexic staves off lack by emptiness, the overweight person staves off fullness by excess. Both are homeopathic final solutions, solutions by extermination.”
—Jean Baudrillard (b. 1929)
“The treatment of African and African American culture in our education was no different from their treatment in Tarzan movies.”
—Ishmael Reed (b. 1938)
“As the twentieth century ends, commerce and culture are coming closer together. The distinction between life and art has been eroded by fifty years of enhanced communications, ever-improving reproduction technologies and increasing wealth.”
—Stephen Bayley (b. 1951)