San Francisco Composers Chamber Orchestra

The San Francisco Composers Chamber Orchestra (SFCCO) is a chamber orchestra based in San Francisco, California, United States. It was established in 2002 and is dedicated to the performance of contemporary classical music, most often works by the orchestra's members. The group has also performed music by other California composers, including John Cage, Henry Cowell, Bernard Herrmann, Darius Milhaud, Terry Riley, Gerhard Samuel, and Igor Stravinsky.

The orchestra's conductor, founder, and music director is Mark Alburger; the associate music director is Erling Wold. Its associate conductors are John Kendall Bailey and Martha Stoddard; board members are Rachel Condry, Michael Cook, Phil Freihofner, Lisa Scola Prosek, Davide Verotta.

The San Francisco Composers Chamber Orchestra (SFCCO) is a unique orchestra in the U.S. Since its first concert in March 2002, the SFCCO has premiered more new works than any other orchestra in the San Francisco Bay Area. The ensemble consists primarily of composer/performers, forming a unique organization dedicated to democratizing the symphony orchestra, making it available to composers of many styles and in many stages of development, from the established to the emerging. The result is a diverse offering of new music. In any one concert, an audience may hear many styles, including Neoromantic, Serial, Neoclassical, Minimalist, Noise and Improvised.

The SFCCO takes an informal approach to its concerts, emphasizing communication with the audience in talks before, between and after pieces, drawing listeners into the music-making. The group's goal is to reverse the mainstream orchestral trend which features mostly older classical music by performing 6-8 new works a concert, rather than only a few new pieces a year.

Famous quotes containing the words san francisco, san, francisco, composers, chamber and/or orchestra:

    There they are at last, Miss Rutledge. The will-o-the-wisps with plagues of fortune. San Francisco, the latest newborn of a great republic.
    Ben Hecht (1893–1964)

    Mining today is an affair of mathematics, of finance, of the latest in engineering skill. Cautious men behind polished desks in San Francisco figure out in advance the amount of metal to a cubic yard, the number of yards washed a day, the cost of each operation. They have no need of grubstakes.
    Merle Colby, U.S. public relief program (1935-1943)

    Mr. Wiggam, I want you to change the policy of The Clarion. I want you to write a story I should have written myself long ago. I want you to tell the people of San Francisco that no city can exist without law and order. Write a story about that flag, write about what verifies and brings a promise of life, liberty, and the pursuit of happiness. There are some people in this town who don’t seem to know that. Let The Clarion tell them.
    Ben Hecht (1893–1964)

    More significant than the fact that poets write abstrusely, painters paint abstractly, and composers compose unintelligible music is that people should admire what they cannot understand; indeed, admire that which has no meaning or principle.
    Eric Hoffer (1902–1983)

    My weary limbs are scarcely stretched for repose, before red dawn peeps into my chamber window, and the birds in the whispering leaves over the roof, apprise me by their sweetest notes that another day of toil awaits me. I arise, the harness is hastily adjusted and once more I step upon the tread-mill.
    —“E. B.,” U.S. farmer. As quoted in Feminine Ingenuity, by Anne L. MacDonald (1992)

    As the artist
    extends his world with
    one gratuitous flourish—a stroke of white or
    a run on the clarinet above the
    bass tones of the orchestra ...
    Denise Levertov (b. 1923)