History
The parish of Silay was established in 1776 and its first church was built of light materials: bamboo, cogon grass and nipa palm. In 1841, then-parish priest Fr. Eusebio Locsin initiated the construction of a more permanent structure made of stone and wood. In 1925, work began on a grander structure meant to replace the old church. Don Jose R. Ledesma, a resident of Silay and a wealthy sugar baron, donated a substantial portion of the funds needed to build the new edifice. The rest of the money was raised through popular contribution, including fund-raising by schoolchildren.
Don Jose Ledesma commissioned an Italian architect, Lucio Bernasconi to design the new church. Bernasconi was also responsible for the design and construction of the Silay Wharf, which was razed by Imperial Japanese soldiers during the Second World War. Bernasconi took the churches in his native Italy as the model for the Silay church. The church's layout is in the shape of a Latin cross, with a cupola rising forty meters above the nave. Construction was completed in 1927, and the new church was inaugurated that same year.
Read more about this topic: San Diego Pro-cathedral
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“I am ashamed to see what a shallow village tale our so-called History is. How many times must we say Rome, and Paris, and Constantinople! What does Rome know of rat and lizard? What are Olympiads and Consulates to these neighboring systems of being? Nay, what food or experience or succor have they for the Esquimaux seal-hunter, or the Kanaka in his canoe, for the fisherman, the stevedore, the porter?”
—Ralph Waldo Emerson (1803–1882)
“A poet’s object is not to tell what actually happened but what could or would happen either probably or inevitably.... For this reason poetry is something more scientific and serious than history, because poetry tends to give general truths while history gives particular facts.”
—Aristotle (384–323 B.C.)
“Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.”
—Bertolt Brecht (1898–1956)