Dramatic Works
| Title | Year of Premier | Location of Premier | Year Published |
|---|---|---|---|
| The Diversions of the Morning or, A Dish of Chocolate (revised as A Cup of Tea) | 1747 | Haymarket | ---- |
| An Auction of Pictures | 1748 | Haymarket | ---- |
| The Knights | 1748 | Drury Lane | 1754 |
| Taste | 1752 | Drury Lane | 1752 |
| An Englishman in Paris | 1753 | Covent Garden | 1753 |
| A Writ of Inquiry on the Inquisitor General | 1754 | Haymarket | ---- |
| The Englishman Returned from Paris | 1756 | Covent Garden | 1756 |
| The Green-Room Squabble or a Battle Royal between the Queen of Babylon and the Daughter of Darius | 1756 | Haymarket | Lost |
| The Author | 1757 | Drury Lane | 1757 |
| The Minor | 1760 | Haymarket | 1760 |
| Tragedy a la Mode (alternative act 2 for Diversions) | 1760 | Drury Lane | 1795 |
| The Lyar | 1762 | Covent Garden | 1764 |
| The Orators | 1762 | Haymarket | 1762 |
| The Mayor of Garrett | 1763 | Haymarket | 1764 |
| The Trial of Samuel Foote, Esq. for a Libel on Peter Paragraph | 1763 | Haymarket | 1795 |
| The Patron | 1764 | Haymarket | 1764 |
| The Commissary | 1765 | Haymarket | 1765 |
| The Devil on Two Sticks | 1768 | Haymarket | 1778 |
| The Lame Lover | 1770 | Haymarket | 1771 |
| The Maid of Bath | 1771 | Haymarket | 1771 |
| The Nabob | 1772 | Haymarket | 1778 |
| Piety in Pattens | 1773 | Haymarket | 1973 |
| The Bankrupt | 1773 | Haymarket | 1776 |
| The Cozeners | 1774 | Haymarket | 1776 |
| A Trip to Calais (revised as The Capuchin) | 1776 | Haymarket | 1778 |
Read more about this topic: Samuel Foote
Famous quotes containing the words dramatic and/or works:
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
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