Salome (opera) - Composition History

Composition History

Oscar Wilde originally wrote his Salomé in French. Strauss saw the play in Lachmann's version and immediately set to work on the opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described Salomé as containing "refrains whose recurring motifs make it so like a piece of music and bind it together as a ballad".

Strauss composed the opera in German, and that is the version that has become widely known. It has a long history, however, of being presented also in French, which was the language in which perhaps the world's most famous proponent of the role, Mary Garden, sang the opera in New York, Chicago, Milwaukee, Paris, and other cities. Soprano Marjorie Lawrence sang the role in both French (for Paris) and German (for the Metropolitan Opera, New York) in the 1930s. In 1930, Strauss made an alternate version in French, the language of the original Oscar Wilde play. This version is less known today, although it was revived in Lyon in 1990, performances of which were recorded by Kent Nagano with Karen Huffstodt in the title role and José van Dam as Jochanaan. In 2011, the French version was staged by Liège Opera, starring June Anderson.

Read more about this topic:  Salome (opera)

Famous quotes containing the words composition and/or history:

    If I don’t write to empty my mind, I go mad. As to that regular, uninterrupted love of writing ... I do not understand it. I feel it as a torture, which I must get rid of, but never as a pleasure. On the contrary, I think composition a great pain.
    George Gordon Noel Byron (1788–1824)

    The whole history of civilisation is strewn with creeds and institutions which were invaluable at first, and deadly afterwards.
    Walter Bagehot (1826–1877)