Sakura Kinomoto - Appearances in Other Media

Appearances in Other Media

In the first Cardcaptor Sakura film, Sakura wins a trip to Hong Kong, where she meets Syaoran's family and encounters the spirit of a woman angry at Clow Reed who mistakenly calls Sakura to her because of her being the holder of the Clow Cards. In Cardcaptor Sakura Movie 2: The Sealed Card, she learns that there is a 53rd card, the Sealed card which was created to balance the positive energy of the other cards.

Sakura is a playable character in eight of the Cardcaptor Sakura video games, and her character design is featured in the series' version of Tetris. The character design of Sakura Kinomoto is reused in the Clamp series Tsubasa: Reservoir Chronicle, which presents an alternate world story that also uses characters from many of the group's previous series. In Tsubasa the design is used for several characters named Sakura, including the central character named Princess Sakura (Sakura-hime). Sakura also plays an important role during the last arc of Tsubasa: Reservoir Chronicle, in a dream to a reincarnated Princess Sakura. During this vision, Sakura gives her older self the Star Wand and assures her that "everything will be all right". She seems several years older than her final appearance in the manga, but is wearing a similar uniform to that of her old elementary one. The wand is later seen in Yuuko Ichihara's shop.

Sakura also appeared in the OVA Tsubasa Tokyo Revelations as a spirit or vision that Princess Sakura sees, which guides her back to where see came from, the Tocho (government building) when she gets lost. She disappears when Princess Sakura sees the building.

Read more about this topic:  Sakura Kinomoto

Famous quotes containing the words appearances and/or media:

    The appearances of goodness and merit often meet with a greater reward from the world than goodness and merit themselves.
    François, Duc De La Rochefoucauld (1613–1680)

    The media no longer ask those who know something ... to share that knowledge with the public. Instead they ask those who know nothing to represent the ignorance of the public and, in so doing, to legitimate it.
    Serge Daney (1944–1992)