In Fiction
- The sack is depicted in episode 12 of the Italian TV-miniseries produced in 2009, "The Falcon and the Dove"
- The sack is recounted in the final part of La Lozana Andaluza, a Spanish novel by Francisco Delicado describing the adventures of an Andalusian prostitute in the corrupt city.
- The sack is also described in the early part of Ines of My Soul (2006) a historical novel by Isabel Allende, from the point of view of Pedro de Valdivia, as a captain in the attacking army who tried to keep the troops from mutiny. (Spanish Original: Ines del Alma Mía)
- Finnish writer Mika Waltari included a chapter regarding the sack of Rome in his historical novel The Adventurer (Finnish original: Mikael Karvajalka).
- It is also part of the novel De scharlaken stad by Dutch writer Hella S. Haasse.
- These events form the background to chapter 42 of Stephen Baxter's 2003 science fiction novel Coalescent.
- Sarah Dunant's novel, titled In the Company of the Courtesan, begins with the sack of Rome and a graphic depiction of rape and pillage that continued unabated for months on end.
- Testaclese and ye Sack of Rome, a comedy in one act performed by Sound & Fury (Richard Maritzer, founder and troupe leader), has played at various Renaissance fairs.
- The 1527 Sack has an important role in the early episodes of comics series Dago.
- The Sack of Rome is discussed in Richard Powers's novel Operation Wandering Soul.
- Ferruccio Cerio's The Barbarians (1953) starring Pierre Cressoy
- Amin Maalouf's 1986 novel, Leo Africanus
- In his Prologue to Hecatommithi (1565), Giambattista Giraldi draws on the sack of Rome.
- Rinascimento privato by Maria Bellonci features the life of Isabella d'Este including witness to the sack of Rome.
- Q, a novel by Luther Blissett (nom de plume) that deals with the protestant reformation.
- The 1527 Sack of Rome is discussed as an important event within "True Love" E06S01 of The Tudors TV series
Read more about this topic: Sack Of Rome (1527)
Famous quotes containing the word fiction:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. The Inescapable Family in American Science Fiction and Fantasy Films, Journal of Popular Film and Television (Summer 1992)
“A reader who quarrels with postulates, who dislikes Hamlet because he does not believe that there are ghosts or that people speak in pentameters, clearly has no business in literature. He cannot distinguish fiction from fact, and belongs in the same category as the people who send cheques to radio stations for the relief of suffering heroines in soap operas.”
—Northrop Frye (b. 1912)