Design and Development
Sweden wished to ensure its continued neutrality through a policy of armed strength during World War II but were effectively denied access to foreign weapons. The original design studies began in 1939, based around the use of a "buried" Bristol Taurus engine. The project remained dormant until 1941. In response to the need for air defence, and faced with the prospect of imported designs being unavailable due to the war, Sweden undertook an indigenous rearmament programme including an advanced fighter. The low-wing monoplane Saab 21 fighter was ultimately designed around a license-produced version of the Daimler-Benz DB 605B engine, featured innovations such as tricycle landing gear, heavy forward-firing armament, ejector seat, and a twin-boom pusher layout that later allowed the type to be modified with a turbojet engine.
The advantages of a pusher design, are that the view forward is unobstructed and armament can be concentrated in the nose, while a major drawback is difficulty in escaping from the aircraft in an emergency, as the pilot could get drawn into the propeller blades. SAAB deliberated between systems that would eject the pilot, or jettison the propeller or the engine, (via a system of explosive bolts) . and eventually installed an early ejector seat developed by Bofors for the purpose and tested in 1943.
In 1947, the aircraft was extensively redesigned with over 50% airframe, tailplane and wing changes and fitted with a de Havilland Goblin turbojet, acquiring the new designation Saab J 21R.
Read more about this topic: Saab 21
Famous quotes containing the words design and/or development:
“With wonderful art he grinds into paint for his picture all his moods and experiences, so that all his forces may be brought to the encounter. Apparently writing without a particular design or responsibility, setting down his soliloquies from time to time, taking advantage of all his humors, when at length the hour comes to declare himself, he puts down in plain English, without quotation marks, what he, Thomas Carlyle, is ready to defend in the face of the world.”
—Henry David Thoreau (18171862)
“And then ... he flung open the door of my compartment, and ushered in Ma young and lovely lady! I muttered to myself with some bitterness. And this is, of course, the opening scene of Vol. I. She is the Heroine. And I am one of those subordinate characters that only turn up when needed for the development of her destiny, and whose final appearance is outside the church, waiting to greet the Happy Pair!”
—Lewis Carroll [Charles Lutwidge Dodgson] (18321898)