Ryoko Shinohara - Drama

Drama

  • Ogon no Buta (NTV, 2010)
  • Tsuki no Koibito (Fuji TV, 2010)
  • Hataraku Gon! (NTV, 2009)
  • Haken no Hinkaku (NTV, 2007)
  • Unfair SP (Fuji TV, 2006)
  • Message (MBS, 2006)
  • Hanayome wa Yakudoshi (TBS, 2006)
  • Unfair (Fuji TV, 2006)
  • Woman's Island (NTV, 2006)
  • Naniwa Kinyudo 6 (Fuji TV, 2005)
  • Anego (NTV, 2005)
  • Mother and Lover (KTV, 2004)
  • Hikari to Tomo ni (NTV, 2004)
  • At Home Dad (Fuji TV, 2004)
  • Yankee Bokou ni Kaeru (TBS, 2004)
  • Boku no Mahou Tsukai (NTV, 2003)
  • Mukodono 2003 (Fuji TV, 2003)
  • HR (Fuji TV, 2002)
  • Renai Hensachi (Fuji TV, 2002)
  • Hatsu Taiken (Fuji TV, 2002)
  • Saotome Typhoon (TV Asahi, 2001)
  • Mukodono! (Fuji TV, 2001)
  • Kabachitare (Fuji TV, 2000)
  • Tokimune Hojo (NHK, 2000)
  • Kiken na kankei (Fuji TV, 1999)
  • Genroku Ryoran (NHK, 1999)
  • Ao no Jidai (TBS, 1998)
  • Nanisama (TBS, 1998)
  • Beach Boys Special (Fuji TV, 1998)
  • Kira Kira Hikaru (Fuji TV, 1998)
  • Real Sound: Kaze no Regret (audio game, 1997)
  • Shinryounaikai Ryouko (NTV, 1997)
  • Gift (Fuji TV, 1997)
  • Odoru Daisousasen (Fuji TV, 1997, ep2)
  • Rennai Zenya Ichidodake no Koi 2 (1996)
  • Pure (Fuji TV, 1996)
  • Naniwa Kinyudo 2 (Fuji TV, 1996)
  • Ninshin Desuyo 2 (Fuji TV, 1995)
  • Kagayaku Toki no Naka de (Fuji TV, 1995)
  • Houkago (Fuji TV, 1992)
  • Sugao no Mama de (Fuji TV, 1992)

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Famous quotes containing the word drama:

    By whatever means it is accomplished, the prime business of a play is to arouse the passions of its audience so that by the route of passion may be opened up new relationships between a man and men, and between men and Man. Drama is akin to the other inventions of man in that it ought to help us to know more, and not merely to spend our feelings.
    Arthur Miller (b. 1915)

    Only in the problem play is there any real drama, because drama is no mere setting up of the camera to nature: it is the presentation in parable of the conflict between Man’s will and his environment: in a word, of problem.
    George Bernard Shaw (1856–1950)

    To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.
    Eleonora Duse (1859–1924)