Ryoko Shinohara - Drama

Drama

  • Ogon no Buta (NTV, 2010)
  • Tsuki no Koibito (Fuji TV, 2010)
  • Hataraku Gon! (NTV, 2009)
  • Haken no Hinkaku (NTV, 2007)
  • Unfair SP (Fuji TV, 2006)
  • Message (MBS, 2006)
  • Hanayome wa Yakudoshi (TBS, 2006)
  • Unfair (Fuji TV, 2006)
  • Woman's Island (NTV, 2006)
  • Naniwa Kinyudo 6 (Fuji TV, 2005)
  • Anego (NTV, 2005)
  • Mother and Lover (KTV, 2004)
  • Hikari to Tomo ni (NTV, 2004)
  • At Home Dad (Fuji TV, 2004)
  • Yankee Bokou ni Kaeru (TBS, 2004)
  • Boku no Mahou Tsukai (NTV, 2003)
  • Mukodono 2003 (Fuji TV, 2003)
  • HR (Fuji TV, 2002)
  • Renai Hensachi (Fuji TV, 2002)
  • Hatsu Taiken (Fuji TV, 2002)
  • Saotome Typhoon (TV Asahi, 2001)
  • Mukodono! (Fuji TV, 2001)
  • Kabachitare (Fuji TV, 2000)
  • Tokimune Hojo (NHK, 2000)
  • Kiken na kankei (Fuji TV, 1999)
  • Genroku Ryoran (NHK, 1999)
  • Ao no Jidai (TBS, 1998)
  • Nanisama (TBS, 1998)
  • Beach Boys Special (Fuji TV, 1998)
  • Kira Kira Hikaru (Fuji TV, 1998)
  • Real Sound: Kaze no Regret (audio game, 1997)
  • Shinryounaikai Ryouko (NTV, 1997)
  • Gift (Fuji TV, 1997)
  • Odoru Daisousasen (Fuji TV, 1997, ep2)
  • Rennai Zenya Ichidodake no Koi 2 (1996)
  • Pure (Fuji TV, 1996)
  • Naniwa Kinyudo 2 (Fuji TV, 1996)
  • Ninshin Desuyo 2 (Fuji TV, 1995)
  • Kagayaku Toki no Naka de (Fuji TV, 1995)
  • Houkago (Fuji TV, 1992)
  • Sugao no Mama de (Fuji TV, 1992)

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Famous quotes containing the word drama:

    “My faith is the grand drama of my life. I’m a believer, so I sing words of God to those who have no faith. I give bird songs to those who dwell in cities and have never heard them, make rhythms for those who know only military marches or jazz, and paint colours for those who see none.”
    —Olivier Messiaen (1908–1992)

    “The popular definition of tragedy is heavy drama in which everyone is killed in the last act, comedy being light drama in which everyone is married in the last act.”
    —George Bernard Shaw (1856–1950)

    “The universal social pressure upon women to be all alike, and do all the same things, and to be content with identical restrictions, has resulted not only in terrible suffering in the lives of exceptional women, but also in the loss of unmeasured feminine values in special gifts. The Drama of the Woman of Genius has too often been a tragedy of misshapen and perverted power.”
    —Anna Garlin Spencer (1851–1931)