Early Life
Ruth Lorenzo was born on November 10, 1982 in Murcia, a south-eastern region of Spain. At a very young age she became a fan of the musical Annie and although she had no idea of what the words meant she would sing along to the songs in English. When she was six years old she discovered music by Montserrat Caballé, a Spanish opera singer, and after her mother bought her an album by Caballé, Lorenzo began to sing opera, imitating Caballé's vocals until she was pitch perfect.
At the age of 12, Lorenzo's family moved to America and this was the first time she had the opportunity to be involved in music at school. After much encouragement from her teachers, Lorenzo was entered into competitions and played lead roles in musical productions such as The Phantom of the Opera and My Fair Lady. When Lorenzo turned 16 the family returned to Spain and although having had singing lessons by this time, she had to cancel these lessons due to family financial difficulty and as a result Lorenzo gave up on her dream of becoming a recording artist.
When Lorenzo was 19 she joined a rock band, which was a challenge for her as she had only sung opera music. In 2002, she auditioned for the 2nd series of Operación Triunfo, the Spanish version of Star Academy, where she was rejected in the first rounds of auditions. The series was eventually won by Basque singer Ainhoa. She also made a big decision to quit her job in her family's business in order to pursue her dreams once again, but after three years of touring around Spain the group decided to split up. Ruth landed a contract at Polaris World where as well as performing, she worked as a PR consultant.
Read more about this topic: Ruth Lorenzo
Famous quotes containing the words early and/or life:
“Quintilian [educational writer in Rome around A.D. 100] thought that the earliest years of the child’s life were crucial. Education should start earlier than age seven, within the family. It should not be so hard as to give the child an aversion to learning. Rather, these early lessons would take the form of play—that embryonic notion of kindergarten.”
—C. John Sommerville (20th century)
“The detective novel is the art-for-art’s-sake of our yawning Philistinism, the classic example of a specialized form of art removed from contact with the life it pretends to build on.”
—V.S. (Victor Sawdon)