Career
While spending several weeks arranging appointments with artists for an assistant's job, Heath was hired as an office "gofer" for the large Manhattan advertising agency Benton & Bowles, earning $35 weekly. He continued looking for work as an artist on his lunch hour, and in 1947, landed a $75-a-week staff position at Timely Comics, the 1940s predecessor of Marvel Comics. Initially working in the Timely offices, Heath, like some of the other staffers, soon found it more efficient to work at home. He and his new wife had been living at his parents' home and continued to do so for two more years, while saving money for their own house. By the mid-1960s, however, they had children and were divorced.
The artist said in 2004 he believed his first work for Timely was a Western story featuring the Two-Gun Kid. Historians have tentatively identified his first work as either a Kid Colt story in the omnibus series Wild Western #4 (Nov. 1948); the second Two-Gun Kid story in Two-Gun Kid #5 (Dec. 1948), "Guns Blast in Thunder Pass;" and the Two-Gun Kid story in Wild Western #5 (Dec. 1948), while confirming Heath art on the Kid Colt story that same issue. Heath's first superhero story is tentatively identified as the seven-page Witness story, "Fate Fixed a Fight," in Captain America Comics #71 (March 1949).
Read more about this topic: Russ Heath
Famous quotes containing the word career:
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“My ambition in life: to become successful enough to resume my career as a neurasthenic.”
—Mason Cooley (b. 1927)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)