Ruslan and Lyudmila (opera) - Structure

Structure

Overture
Act 1
No. 1: Introduction
No. 2: Cavatina (Lyudmila)
No. 3: Finale
Act 2
No. 4: Entr'acte
No. 5: Ballad (Finn)
No. 6: Duettino (Ruslan, Finn)
No. 7: Scene and Rondo (Farlaf)
No. 8: Aria (Ruslan)
No. 9: Scene with the Head
No. 10: Finale – Tale of the Head
Act 3
No. 11: Entr'acte
No. 12: Persian Chorus
No. 13: Cavatina (Gorislava)
No. 14: Aria (Ratmir)
No. 15: Dances
  • Allegro moderato
  • Adagio
  • Grazioso
  • Coda
No. 16: Finale
Act 4
No. 17: Entr'acte
No. 18: Scene and Aria (Lyudmila)
No. 19: March of Chernomor
No. 20: Oriental Dances
No. 21: Chorus
No. 22: Finale
Act 5
No. 23: Entr'acte
No. 24: Romance (Ratmir)
No. 25: Recitative and Chorus
No. 26: Duet (Finn, Ratmir)
No. 27: Finale

Read more about this topic:  Ruslan And Lyudmila (opera)

Famous quotes containing the word structure:

    With sixty staring me in the face, I have developed inflammation of the sentence structure and definite hardening of the paragraphs.
    James Thurber (1894–1961)

    The question is still asked of women: “How do you propose to answer the need for child care?” That is an obvious attempt to structure conflict in the old terms. The questions are rather: “If we as a human community want children, how does the total society propose to provide for them?”
    Jean Baker Miller (20th century)

    One theme links together these new proposals for family policy—the idea that the family is exceedingly durable. Changes in structure and function and individual roles are not to be confused with the collapse of the family. Families remain more important in the lives of children than other institutions. Family ties are stronger and more vital than many of us imagine in the perennial atmosphere of crisis surrounding the subject.
    Joseph Featherstone (20th century)