Plot
The Rugrats set sail on a ramshackle boat that Tommy's father, Stu, has rented in the South China Seas. The boat is flipped over by a rogue wave during a tropical storm and they are forced to abandon ship onto a life raft. They end up arriving on a small uninhabited island. On the same island, but on the other side, are the famous globe-trotting family the Thornberrys (out to film a Clouded Leopard). The babies set off to find them for they suspect they are somewhere on the island (as it happens, Tommy treats Nigel like an idol and as seen at the beginning of the movie wishes that he could be like him). Somewhere along the way Chuckie gets lost and runs into the Thornberry's Tarzan-like child Donnie and the two switch clothes. Meanwhile Eliza, the gifted Thornberry, is exploring about the jungle and runs into Spike, the Pickles' dog. Since Eliza can talk to animals, Spike (now voiced by Bruce Willis) talks for the first time and he informs her that the babies are lost somewhere on the island. While this is occurring Eliza's father, Nigel, finds the lost babies. He attempts to head in their direction but ends up tumbling down a hill and receives amnesia after a coconut falls on his head. Angelica (going by "Angelitiki, the Island Princess") runs into Debbie, the teenage Thornberry, and takes off with Debbie in the Thornberry's all-purpose mobile communication vehicle (commvee). While not paying attention the twosome sink the commvee. Meanwhile, pop culture references to just about anything about castaways on an island (in particular, Gilligan's Island, Survivor, and Lord of the Flies) ensue. Also, unlike the previous movies, Susie tags along with Polaroid-like camera in hand and doesn't have her parents traveling with her. The film concludes with the children being reunited with their families. Photos of the families on the Lipschitz Cruise are shown during the end credits.
Read more about this topic: Rugrats Go Wild
Famous quotes containing the word plot:
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“There saw I how the secret felon wrought,
And treason labouring in the traitor’s thought,
And midwife Time the ripened plot to murder brought.”
—Geoffrey Chaucer (1340?–1400)