Rufino Tamayo - Return Home and Later Years

Return Home and Later Years

In 1959, Tamayo and his wife returned to Mexico permanently, where Tamayo built an art museum in his home town of Oaxaca, the Museo Rufino Tamayo. In 1972, Tamayo was the subject of the documentary film, Rufino Tamayo: The Sources of his Art by Gary Conklin.

The Tamayo Contemporary Art Museum (Museo Tamayo de Arte Contemporáneo), located on Mexico City's Paseo de la Reforma boulevard, where it crosses Chapultepec Park, was opened in 1981 as a repository for the collections that Rufino Tamayo and his wife acquired during their lifetimes, and ultimately donated to the nation.

Tamayo painted his last painting in 1989, at the age of 90, Hombre con flor (Man with flower), a self-portrait.

Tamayo's work has been displayed in museums throughout the world, including the Solomon R. Guggenheim Museum in New York City, The Phillips Collection in Washington, the Cleveland Museum of Art in Cleveland, Ohio, the Naples Museum of Art in Naples, Florida, and The Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain.

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Famous quotes containing the words return, home and/or years:

    The house waited on your private beach
    each day,
    when you had the time to return to her.
    And you so often had the time,
    even when fury blew out her chimney,
    even when love lifted the shingles....
    Anne Sexton (1928–1974)

    In another year I’ll have enough money saved. Then I’m gonna go back to my hometown in Oregon and I’m gonna build a house for my mother and myself. And join the country club and take up golf. And I’ll meet the proper man with the proper position. And I’ll make a proper wife who can run a proper home and raise proper children. And I’ll be happy, because when you’re proper, you’re safe.
    Daniel Taradash (b. 1913)

    In most nineteenth-century cities, both large and small, more than 50 percent—and often up to 75 percent—of the residents in any given year were no longer there ten years later. People born in the twentieth century are much more likely to live near their birthplace than were people born in the nineteenth century.
    Stephanie Coontz (20th century)