Rue Saint-Denis (Paris) - Famous Buildings

Famous Buildings

  • n° 60 (corner of rue de la Cossonnerie) : Remains of the Cour Batave, a collection of buildings constructed for Dutch speculators by Jean-Nicolas Sobre and Célestin-Joseph Happe in 1790, one of Paris's first examples of private housing development.
  • n° 92 : Église Saint-Leu-Saint-Gilles
  • n° 142 (corner of rue Grénéta) : House built in 1732 by Jacques-Richard Cochois for Claude Aubry. Attached to it is the "fontaine Greneta", rebuilt at the same time as the house, but whose original dates back to at least 1502.
  • n°s 224-226 : Maison des Dames de Saint-Chaumont (Couvent des Filles de l'Union chrétienne), established in 1685 in a hôtel de Saint-Chaumond, of which nothing survives except its name in the name of the community. The nuns had constructed 1734-1735 by Jacques Hardouin-Mansart de Sagonne a lodge which has been conserved (but raised up), a building of exceptional quality decorated by Nicolas Pineau. It is the only survivor of the many pious or charitable establishments built along rue Saint-Denis. Its simple entrance is next to boulevard de Sébastopol and a garden extends between the building and the street. In the corner of rue de Tracy could be found the covent's chapel, built in 1782 by Pierre Convers in the ancient style but now lost.
  • At the end of rue Saint-Denis, at the intersection of the grands Boulevards, can be found the porte Saint-Denis. Rue Saint-Denis is then extended from there out into what was medieval Paris's faubourg by the Rue du Faubourg-Saint-Denis

Read more about this topic:  Rue Saint-Denis (Paris)

Famous quotes containing the words famous and/or buildings:

    Did you ever stop to think why cops are always famous for being dumb? Simple. Because they don’t have to be anything else.
    Orson Welles (1915–1985)

    The desert is a natural extension of the inner silence of the body. If humanity’s language, technology, and buildings are an extension of its constructive faculties, the desert alone is an extension of its capacity for absence, the ideal schema of humanity’s disappearance.
    Jean Baudrillard (b. 1929)