Works
Gottschall’s prolific literary productions cover the fields of poetry, novel-writing and literary criticism. Among his volumes of lyric poetry are Sebastopol (1856), Janus (1873), Bunte Blüten (1891). Among his epics, Carlo Zeno (1854), Maja (1864), dealing with an episode in the Indian Mutiny, and Merlins Wanderungen (1887). Pitt und Fox (1854) was never surpassed by his other lighter dramas, among which may be mentioned Die Welt des Schwindels and Der Spion von Rheinsberg. The tragedies, Mazeppa, Catharine Howard, Amy Robsart and Der Gotze von Venedig, were very successful; and the historical novels, Im Banne des schwarzen Adlers (1875; 4th ed., 1884), Die Erbschaft des Blutes (1881), Die Tochter Rübezahls (1889), and Verkümmerte Existenzen (1892), enjoyed a high degree of popularity. His Die deutsche Nationalliteratur des 18. Jahrhunderts (1855), and Poetik (1858) commanded the respect of all students of literature. Of his many novels, the first, Im Baune des schwarzen Adlers (1876), is considered by many critics his best. Gottschall was active as an editor and compiler of anthologies.
Gottschall’s collected Dramatische Werke appeared in 12 vols. in 1880 (2nd ed., 1884); he also later published many volumes of collected essays and criticisms. See his autobiography, Aus meiner Jugend (1898).
Read more about this topic: Rudolf Von Gottschall
Famous quotes containing the word works:
“Are you there, Africa with the bulging chest and oblong thigh? Sulking Africa, wrought of iron, in the fire, Africa of the millions of royal slaves, deported Africa, drifting continent, are you there? Slowly you vanish, you withdraw into the past, into the tales of castaways, colonial museums, the works of scholars.”
—Jean Genet (1910–1986)
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)
“There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.”
—Ralph Waldo Emerson (1803–1882)