Production
Stanley Donen and Jane Powell were not part of the film's original crew and cast; former dancer Charles Walters was the film's original director, with June Allyson as Astaire's co-star. Judy Garland was then signed as Ellen, over the objection of Walters who had spent a "year-and-a-half nurturing her through her previous film, Summer Stock"; instead of listening to Walters' objection, Arthur Freed brought in Donen as director; Garland, who during rehearsal worked only half-days, starting calling in sick as principal photography was to begin. That prompted Freed to replace her, which in turn caused MGM to cancel her contract with the studio, one that had lasted 14 years.
Principal photography occurred in 1950, from July 6-August 24; retakes took place in mid-October.
The scene featuring the song "You're All the World to Me" was filmed by building a set inside a revolving barrel and mounting the camera and its operator to an ironing board which could be rotated along with the room.
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—Karl Marx (1818–1883)
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—Karl Marx (1818–1883)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)