Structure
The Opera House built in baroque design featuring a blend of European and Indian architectural style was conceived in 1908 by Maurice Bandmann, an entertainer from Kolkata and Jehangir Framji Karaka, head of a firm of coal brokers. It was built with exquisite Italian marble on a leased land close to the Kennedy and Sandhurst bridges. Although the work was completed in 1912, several additions were made until 1915. The pediment figure at the pinnacle was substituted with three cherubs. A pair of unique crystal chandeliers, called the ‘Sans Souci’, donated by the David Sassoon family, which was earlier located in the Sassoon mansion, was shifted to the foyer of the opera house. At the main entrance, the dome is segmented into eight different parts "as a tribute to poets, dramatists, novelists, literati and people from art and culture." The interiors of the opera house as it existed in the past were provided with orchestra stalls with cosy cane chairs. 26 rows of boxes with couches were provided behind the stalls. The seating enabled a clear view of the stage to all the people seated in the stalls and in the Dress Circle. The acoustics were planned by providing the ceiling in a manner that permitted distinct audibility to audience seated in the gallery to hear every word or song from the stage. The entrance was originally designed with a frontage for carriages to drive in.
Read more about this topic: Royal Opera House (Mumbai)
Famous quotes containing the word structure:
“Who says that fictions only and false hair
Become a verse? Is there in truth no beauty?
Is all good structure in a winding stair?
May no lines pass, except they do their duty
Not to a true, but painted chair?”
—George Herbert (1593–1633)
“There is no such thing as a language, not if a language is anything like what many philosophers and linguists have supposed. There is therefore no such thing to be learned, mastered, or born with. We must give up the idea of a clearly defined shared structure which language-users acquire and then apply to cases.”
—Donald Davidson (b. 1917)
“The structure was designed by an old sea captain who believed that the world would end in a flood. He built a home in the traditional shape of the Ark, inverted, with the roof forming the hull of the proposed vessel. The builder expected that the deluge would cause the house to topple and then reverse itself, floating away on its roof until it should land on some new Ararat.”
—For the State of New Jersey, U.S. public relief program (1935-1943)