Rose Red (miniseries) - Links To Other King Novels

Links To Other King Novels

The character of Annie Wheaton is similar to another Stephen King character, Carrie White—the main character from Stephen King's first published novel, Carrie. As a young girl, Carrie telekinetically dropped stones on her house, and Annie does the same thing at both the beginning and end of Rose Red. Likewise, the epilogue of Carrie contains a brief appearance of a young girl named Annie who, it appears, has the same powers as Carrie.

The character of Deanna Petrie shares the last name of the young protagonist Mark Petrie of King's 1975 novel 'Salem's Lot. Likewise, Emery Waterman shares a name—and many character traits—with Harold Emery Lauder from The Stand.

Rose Red is referred to in King's Black House as one of the places where "slippage" occurs.

The character Pam has the special power of "The Touch". Although the ability is not referred to with this name, it is the same psychic power that the characters Alain Johns and Jake Chambers have in The Dark Tower novels.

Read more about this topic:  Rose Red (miniseries)

Famous quotes containing the words links to, links, king and/or novels:

    An alliance is like a chain. It is not made stronger by adding weak links to it. A great power like the United States gains no advantage and it loses prestige by offering, indeed peddling, its alliances to all and sundry. An alliance should be hard diplomatic currency, valuable and hard to get, and not inflationary paper from the mimeograph machine in the State Department.
    Walter Lippmann (1889–1974)

    An alliance is like a chain. It is not made stronger by adding weak links to it. A great power like the United States gains no advantage and it loses prestige by offering, indeed peddling, its alliances to all and sundry. An alliance should be hard diplomatic currency, valuable and hard to get, and not inflationary paper from the mimeograph machine in the State Department.
    Walter Lippmann (1889–1974)

    Some friendship is closely akin to treachery.
    —Robert N. Lee. Rowland V. Lee. King Edward IV (Ian Hunter)

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)