Television
In the 1960–1961 season, Rose Marie co-starred with Shirley Bonne, Elaine Stritch, Jack Weston, Raymond Bailey, and Stubby Kaye in the CBS sitcom My Sister Eileen. She played Bertha, a friend of the Sherwood sisters, Ruth, a magazine writer, played by Stritch, and Eileen, an aspiring actress, Bonne's role.
After starring for all five seasons (1961-1966) of The Dick Van Dyke Show (in the role originally played by Sylvia Miles in the pilot episode), Rose Marie co-starred in two seasons (1969-1971) of CBS's The Doris Day Show as Doris Martin's friend and co-worker, Myrna Gibbons. She later had a semi-regular seat in the upper center square on the original version of Peter Marshall's Hollywood Squares, alongside her friend and longtime Van Dyke co-star, Morey Amsterdam. She also appeared on both the 1986 and 1998 syndicated revivals.
In the early 1990s, she had a recurring role as Frank Fontana's mother on the CBS sitcom Murphy Brown. She also appeared as Roy Biggins's domineering mother, Eleanor "Bluto" Biggins in an episode of the TV series Wings.
Rose Marie and Morey Amsterdam guest-starred together in a February 1996 episode of the NBC sitcom Caroline in the City, shortly before Amsterdam's death in October of that same year. She appeared with the surviving Dick Van Dyke Show cast members in a 2004 reunion special. Rose Marie was especially close to actor Richard Deacon from that show, and offered him the suits left behind when her husband died in 1964, as the two men were of similar height and build. She was married to trumpeter Bobby Guy from 1946 until his death in 1964.
She also appeared in two episodes of the NBC series The Monkees in the mid 1960s.
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Famous quotes containing the word television:
“We cannot spare our children the influence of harmful values by turning off the television any more than we can keep them home forever or revamp the world before they get there. Merely keeping them in the dark is no protection and, in fact, can make them vulnerable and immature.”
—Polly Berrien Berends (20th century)
“So by all means let’s have a television show quick and long, even if the commercial has to be delivered by a man in a white coat with a stethoscope hanging around his neck, selling ergot pills. After all the public is entitled to what it wants, isn’t it? The Romans knew that and even they lasted four hundred years after they started to putrefy.”
—Raymond Chandler (1888–1959)
“What is a television apparatus to man, who has only to shut his eyes to see the most inaccessible regions of the seen and the never seen, who has only to imagine in order to pierce through walls and cause all the planetary Baghdads of his dreams to rise from the dust.”
—Salvador Dali (1904–1989)