Prose
During the Romantic period, there was a great interest in literary fiction, in particular, adventure and mystery novels; however, Spanish output of this type was scanty, limited to translations of foreign novels. More than a thousand translations circulated in Spain before 1850, in the historic, romantic, chivalrous, and melodramatic genres, representing writers such as Alexandre Dumas, père, Chateaubriand, Walter Scott, and Victor Hugo. Spanish prose essentially consisted of the novel, scientific or scholarly prose, journalism, and the intense development of costumbrismo.
During the first quarter of the century, four distinct types of novels developed: moral and educative novels, romances, horror stories, and anticlerical novels. The most purely Romantic of these is the anticlerical novel. However, the Romantic influence would shape, principally, the historical novel.
Read more about this topic: Romanticism In Spanish Literature
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“Social questions are too sectional, too topical, too temporal to move a man to the mighty effort which is needed to produce great poetry. Prison reform may nerve Charles Reade to produce an effective and businesslike prose melodrama; but it could never produce Hamlet, Faust, or Peer Gynt.”
—George Bernard Shaw (1856–1950)
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“Any man who can write a page of living prose adds something to our life, and the man who can, as I can, is surely the last to resent someone who can do it even better. An artist cannot deny art, nor would he want to. A lover cannot deny love.”
—Raymond Chandler (1888–1959)