Romance Film
Romance films are love stories recorded in visual media for broadcast in theaters and on television that focus on passion, emotion, and the affectionate involvement of the main characters and the journey that their love takes through courtship or marriage. Romance films make the love story or the search for love the main plot focus. Occasionally, lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints or family that threaten to break their union of love. As in all romantic relationships, tensions of day-to-day life, temptations (of infidelity), and differences in compatibility enter into the plots of romantic films.
Romantic films often explore the essential themes of love at first sight, young with older love, unrequited love, obsessive love, sentimental love, spiritual love, forbidden love, sexual and passionate love, sacrificial love explosive and destructive love, and tragic love. Romantic films serve as great escapes and fantasies for viewers, especially if the two people finally overcome their difficulties, declare their love, and experience life "happily ever after", implied by a reunion and final kiss. In romantic television series, the development of such relationships may play out over many episodes, and different characters may become intertwined in different romantic arcs.
Famous quotes containing the words romance and/or film:
“The cowboy ... is well on his way to becoming a figure of magnificent proportions. Bowlegged and gaunt, he stands as the apotheosis of manly perfection. Songs, novels, movies, magazines, and operettas have made the least inquiring of us well acquainted with his extraordinary courage, unfailing gallantry, and uncanny skill with gun or lariat. The farmer, meanwhile, sits stolidly on his tractor, bereft of romance and adventure.”
—For the State of Kansas, U.S. public relief program (1935-1943)
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)