Roman Bronze Works, now operated as Roman Bronze Studios, is a bronze foundry in New York. Established in 1897 by Riccardo Bertelli, it was the first American foundry to specialize in the lost-wax casting method, and was the country's pre-eminent art foundry during the American Renaissance (ca. 1876-1917).
In 1908, the foundry built a home and studio for sculptor Harry Merwin Shrady at White Plains, New York. It was added to the National Register of Historic Places in 1982 as the Leo Friedlander Studio.
Long a sub-contractor to Louis Comfort Tiffany's Tiffany Studios, the foundry moved in 1927 to Tiffany's red brick factory in Corona, Queens, New York.
The foundry's mold makers, casters, chasers and finishers, and patinaters cast sculptures from plaster and terra cotta models provided by sculptors. They also scaled down monumental and other finished works for editions of collectors' bronzes, allowing works by Daniel Chester French, Henry Augustus Lukeman and Augustus Saint-Gaudens to ornament a private library or drawing room.
From 1898, Frederic Remington worked exclusively with Roman Bronze Works, as did Charles M. Russell. Remington bronzes were being cast by Roman Bronze Works as late as the 1980s.
Roman Bronze Works was purchased in 1946 by Salvatore Schiavo, whose father had worked at the foundry since 1902. His nephew, Philip J. Schiavo, the grandson of the first Schiavo, was the president of the foundry until its closing.
The Heisman Trophy was originally made by Dieges & Clust in New York (and later Providence, Rhode Island) from its inception in 1935 until 1980, when Dieges and Clust was sold to Herff Jones. However, for a time until at least 2008, the Roman Bronze Works cast the Heisman Trophy statues awarded annually to the best college football player and his university.
After the foundry closed, original plaster models of major works by American artists Frederic Remington, Daniel Chester French, Charles Russell, Bessie Potter Vonnoh and Anna Hyatt Huntington were auctioned off in New York on September 17, 1988. Some of the molds were moved to warehouses in Copiague, New York, under the aegis of American Art Restoration, Inc.
The business archives were preserved and are now at the Amon Carter Museum Library in Fort Worth, Texas. In 2002, Schiffer Publishing released a book about Roman Bronze Works, A Century of American Sculpture; The Roman Bronze Works Foundry, written by Lucy D. Rosenfeld and based on the firm's ledgers and archival photographs at the museum.
Brain Ramnarine, who worked at Roman Bronze Works and opened his foundry in Queens (Long Island City) NY under the name Empire Bronze Art Foundry, was charged in Manhattan Federal Court in November 2012 with an $11 million scheme to sell an unauthorized casting of a work by Jasper Johns. He was arraigned in October 2002 on charges of grand larceny, falsifying business records, scheme to defraud and criminal simulation. In February of 2003 he pled guilty to making unauthorized copies of sculptures, agreeing to pay $100,000 in restitution.
Famous quotes containing the words roman, bronze and/or works:
“There is one great fact, characteristic of this our nineteenth century, a fact which no party dares deny. On the one hand, there have started into life industrial and scientific forces which no epoch of former human history had ever suspected. On the other hand, there exist symptoms of decay, far surpassing the horrors recorded of the latter times of the Roman empire. In our days everything seems pregnant with its contrary.”
—Karl Marx (18181883)
“Ask us, ask us whether with the worldless rose
Our hearts shall fail us; come demanding
Whether there shall be lofty or long standing
When the bronze annals of the oak-tree close.”
—Richard Wilbur (b. 1921)
“Now they express
All thats content to wear a worn-out coat,
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Thinking no further than the hand can hold,
All that grows old,
Yet works on uselessly with shortened breath.”
—Philip Larkin (19221986)