Early Career
Jacobsen's Jord og jern ("Earth and Iron"), written in free verse, introduced the urban world, racing cars, airplanes, and electrical turbines. Because of the choice of his subjects Jacobsen's work was connected to Marinetti and Futurism, but his view was all but romantic. He did not share the Futurists' euphoria over modern inventions, the beauty of "a roaring motorcar, which runs like a machine-gun," but saw the relationship between machines and human civilization as more complex. Jacobsen's diverse literary and other artistic influences included the Poetic Edda, Karel Čapek's play R.U.R., and Carl Sandburg's poetry. The title of the collection also suggests a cyclic relationship between nature and technology.
In 1934 Jacobsen returned to Åsnes to take care of his father. He had joined a socialist intellectual group, Clarté, and in Åsnes he became a member of the Labor Party Leadership for Hedmark County. In Åsnes Jacobsen worked for the daily newspaper Kongsvinger Arbeiderblad, which was supported by Labor. Jacobsen's second collection of poems, Vrimmel (1935), revealed his underlying dismay at modern civilization. Jacobsen rejected Marinetti's manifesto, "We wish to glory war...", but predicted the ominous emergence of the gas masks and machine guns. After Vrimmel, Jacobsen was silent as a poet for 16 years.
In 1940 Jacobsen married Petra Tendø; they had two sons. While his parents' marriage did not succeed, Jacobsen's own marriage was harmonious. His wife died in 1985 and in his last book, Nattåpent (1995), Jacobsen published tender and mournful poems about their life together: "Whoever loves for years / hasn't lived in vain."
Read more about this topic: Rolf Jacobsen (poet)
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