Influence
Roland Barthes's incisive criticism contributed to the development of theoretical schools such as structuralism, semiotics, and post-structuralism. While his influence is mainly found in these theoretical fields with which his work brought him into contact, it is also felt in every field concerned with the representation of information and models of communication, including computers, photography, music, and literature. One consequence of Barthes' breadth of focus is that his legacy includes no following of thinkers dedicated to modeling themselves after him. The fact that Barthes’ work was ever adapting and refuting notions of stability and constancy means there is no canon of thought within his theory to model one's thoughts upon, and thus no "Barthesism". While this means that his name and ideas lack the visibility of a Marx, Dewey, or Freud, Barthes was after all opposed to the notion of adopting inferred ideologies, regardless of their source. In this sense, after his work giving rise to the notion of individualist thought and adaptability over conformity, any thinker or theorist who takes an oppositional stance to inferred meanings within culture can be thought to be following Barthes’ example. Indeed such an individual would have much to gain from the views of Barthes, whose many works remain valuable sources of insight and tools for the analysis of meaning in any given man-made representation.
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Famous quotes containing the word influence:
“If the contemplation, even of inanimate beauty, is so delightful; if it ravishes the senses, even when the fair form is foreign to us: What must be the effects of moral beauty? And what influence must it have, when it embellishes our own mind, and is the result of our own reflection and industry?”
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