Roger Livesey - Acting Career

Acting Career

Livesey's first stage role was as the office boy in Loyalties at St. James's Theatre in 1917. He then appeared in a wide range of productions from Shakespeare to modern comedies. He played various roles in the West End from 1920 to 1926, toured the West Indies and South Africa, and then returned to join the Old Vic/Sadler's Wells company from September 1932 until May 1934. In 1936 he appeared in New York in Wycherley's comedy The Country Wife. While in New York he married actress Ursula Jeans, whom he had known previously in England (Livesey's sister Peggy was already married to Ursula Jeans' brother Desmond).

At the outbreak of the Second World War Livesey and Jeans were among the first volunteers to entertain the troops. He then applied for flying duties in the R.A.F. but due to his age was rejected. Instead he worked in an aircraft factory at Desford aerodrome near Leicester to "do his bit for the war effort". He was chosen by Michael Powell to play the lead in The Life and Death of Colonel Blimp (1943) after Powell was denied his original choice, Laurence Olivier (Winston Churchill had objected to the movie and the Fleet Air Arm refused to release Olivier- who had been a Hollywood movie star before returning to England to take a Navy commission). The movie was shown in New York and established Livesey's international reputation as a talented character actor. In 1945, he was the first choice for the male lead role in Brief Encounter, which in the end went to Trevor Howard.

He continued playing many theatrical roles during his film career until 1969. One of his last roles was as the Duke of St Bungay in The Pallisers television series. His final television appearance was in the series Benjamin Franklin in 1975.

Read more about this topic:  Roger Livesey

Famous quotes containing the words acting and/or career:

    Its idea of “production value” is spending a million dollars dressing up a story that any good writer would throw away. Its vision of the rewarding movie is a vehicle for some glamour-puss with two expressions and eighteen changes of costume, or for some male idol of the muddled millions with a permanent hangover, six worn-out acting tricks, the build of a lifeguard, and the mentality of a chicken-strangler.
    Raymond Chandler (1888–1959)

    The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.
    Anna Quindlen (b. 1952)