Rodrigo Rey Rosa - Works

Works

  • Dust on Her Tongue;
  • The Beggar's Knife;
  • The Pelcari Project;
  • The Good Cripple;
  • La orilla africana;
  • Liberalismo y Republicanismo: Ensayos de Filosofia Politica;
  • Quel che sognò Sebastian;
  • Le silence des eaux roman;
  • Pierres enchantées;
  • Bomengevangenis ; De schepenlichter : twee novellen;
  • Le projet;
  • L'Ange boiteux;
  • The Beggar's Knife. Translated by Paul Bowles;
  • Que Me Maten Si...;
  • Die Henker des Friedens;
  • El material humano;
  • Ningun Lugar Sagrado;
  • Il tempo concesso;
  • The Path Doubles Back;
  • Con cinco barajas: Antologia Personal ;
  • Caballeriza/ The Stable;
  • El Mar de Barceló a la Sala dels Drets Humans i de l'Aliança de…;
  • Carcel de Arboles-El Salvador De Buques;

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Famous quotes containing the word works:

    “The works of women are symbolical.
    We sew, sew, prick our fingers, dull our sight,
    Producing what? A pair of slippers, sir,
    To put on when you’re weary or a stool
    To stumble over and vex you ... “curse that stool!”
    Or else at best, a cushion, where you lean
    And sleep, and dream of something we are not,
    But would be for your sake. Alas, alas!
    This hurts most, this ... that, after all, we are paid
    The worth of our work, perhaps.”
    —Elizabeth Barrett Browning (1806–1861)

    “His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
    —Henry David Thoreau (1817–1862)

    “Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
    —Jane Jacobs (b. 1916)