Playing Style
Although of a slightly short and medium build (1.73 m / 5 ft 8"), Laver developed a technically complete serve-and-volley game, with aggressive groundstrokes to back it up. As Dan Maskell put it, he was "technically faultless, from his richly varied serve to his feather-light touch on drop volleys plus a backhand drive carrying destructive topspin when needed or controlling slice when the situation demanded it." His left-handed serve was well disguised and wide swinging. His wristy groundstrokes on both flanks were hit with topspin, as was the attacking topspin lob, which Laver developed into a weapon. His stroke technique was based on quick shoulder turns, true swings, and exquisite timing. His backhand, often hit on the run, was a point-ender that gave him an advantage. Laver was very quick and mobile and had a gigantic left forearm. Rex Bellamy wrote, "The strength of that wrist and forearm gave him blazing power without loss of control, even when he was on the run and at full stretch. The combination of speed and strength, especially wrist strength, enabled him to hit ferocious winners when way out of court." At the net, he had forcing volleys, often hit as stroke volleys. Especially on the backhand, he could hit sharp underspin angles as well. Julius Heldman pointed out, "He is competent on low balls, handling them with underspin for control, but he will cream any ball at waist level or higher." He was difficult to lob, because of his springing agility, and when forced to retreat, he could come up with a vicious counterpunch.
As an amateur, Laver was a somewhat flashy player, often a late starter. He had to learn to control his adventurous shotmaking and integrate percentage tennis into his game when he turned professional. In his prime, he could adapt his style to all surfaces and to all conditions. Laver had a great record in five-set-matches, often turning things around with subtle changes of tactics or by simply hitting his way out of danger. When he got into the "zone", he went for broke. Then he would, as Heldman explains, "literally jump and throw his racket at the ball with all the force he could muster, wrist and arm snapping over at the hit."
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