Music Video
The music video for "Rock the House" was directed by Jamie Hewlett and Pete Candeland. The inspiration for the video is said to have come from Hewlett's angst at the time, as the band was going through the process of being sued by another band named Doppelgangerz, who claimed that Gorillaz was a stolen idea. It starts with a shot of the gate of Kong Studios. The camera then follows Noodle on a tricycle through the hallways of the building, a reference to the horror film The Shining. It leads past a door to a room where Gorillaz are performing. A white mist appears among them and Russel passes out. Then we see the floor has turned into the ghost of Del, who rises up and throws the Gorillaz to the ground. Del is outfitted with protective gear including a helmet. In Rise of the Ogre it explains he is dressed as Mr. Freedom. Del takes a few steps when from behind him a series of spring-loaded guns shoot billiard balls at him, but he diverts them with his glove. A series of inflatable female gorillas appear and start to do cheerleading. 2-D is dodging the balls being shot at him by doing dance moves, but then he is hit by a few balls and knocked out. Murdoc then begins to divert the balls with a padded jockstrap he is wearing, hitting them away with his pelvic thrusts. He is successful a dozen times until a ball ricochets off the padded wall and hits his unprotected buttocks. The ball ricochets and hits Russel in the head, waking him up and making Del disappear. Russel looks around, noticing 2-D is unconscious, Murdoc is standing bowlegged, and Noodle is the only one in the original state. The final scene is a backwards shot of the first one.
In the music video, Murdoc is shown wearing his inverted cross necklace, which supports the fact that he is a Satanist.
Read more about this topic: Rock The House
Famous quotes containing the words music and/or video:
“Nothing separates the generations more than music. By the time a child is eight or nine, he has developed a passion for his own music that is even stronger than his passions for procrastination and weird clothes.”
—Bill Cosby (b. 1937)
“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.”
—Marie Winn (20th century)