Songs
The album contained seven top 100 Billboard hits, including "Just Out of Reach (Of My Two Open Arms)", "Cry to Me", "Can't Nobody Love You", "If You Need Me", "You're Good For Me", "Goodbye Baby (Baby Goodbye)", and "He'll Have to Go". The New Rolling Stones Album Guide singles out Burke's version of the 1959 hit "He'll Have to Go" here as "a heartbreaking interpretation" and his version of Woody Guthrie's "Hard, Ain't It Hard" as a "lively stab". Allmusic notes that Burke's version of "Cry to Me" is "vaguely Caribbean in rhythmic feel", contributing to an "upbeat tempo" that stands "at odds" from the "solemn" lyrics.
| Charting song | Charting year | Black Singles | Pop Singles | Adult Contemporary |
|---|---|---|---|---|
| "Just Out of Reach (Of My Two Open Arms)" | 1961 | #7 | #24 | #6 |
| "Cry to Me" | 1962 | #5 | #44 | |
| "Can't Nobody Love You" | 1963 | #66 | ||
| "If You Need Me" | 1963 | #2 | #37 | |
| "You're Good for Me" | 1963 | #8 | #49 | |
| "Goodbye Baby (Baby Goodbye)" | 1964 | #33 | #33 | |
| "He'll Have to Go" | 1964 | #51 | #51 |
Read more about this topic: Rock 'n' Soul
Famous quotes containing the word songs:
“When we were at school we were taught to sing the songs of the Europeans. How many of us were taught the songs of the Wanyamwezi or of the Wahehe? Many of us have learnt to dance the rumba, or the cha cha, to rock and roll and to twist and even to dance the waltz and foxtrot. But how many of us can dance, or have even heard of the gombe sugu, the mangala, nyangumumi, kiduo, or lele mama?”
—Julius K. Nyerere (b. 1922)
“People fall out of windows, trees tumble down,
Summer is changed to winter, the young grow old
The air is full of children, statues, roofs
And snow. The theatre is spinning round,
Colliding with deaf-mute churches and optical trains.
The most massive sopranos are singing songs of scales.”
—Wallace Stevens (18791955)
“And songs climb out of the flames of the near campfires,
Pale, pastel things exquisite in their frailness
With a note or two to indicate it isnt lost,
On them at least. The songs decorate our notion of the world
And mark its limits, like a frieze of soap-bubbles.”
—John Ashbery (b. 1927)