Rochester International Jazz Festival
Established in 2002, the Xerox Rochester International Jazz Festival takes place in June of each year, in Rochester, New York. It is produced by John Nugent, Artistic Director and Marc Iacona, Executive Director. The title sponsor is Xerox.
The festival is held at multiple venues throughout the downtown Rochester New York's East End cultural district, including Kodak Hall at Eastman Theatre, Kilbourn Hall at the Eastman School of Music, Hatch Recital Hall, Lutheran Church of the Reformation, Christ Church, the Festival Big Tent, Max of Eastman Place, Montage, Xerox Auditorium, Rochester Club, The Little Theatre and Abilene - all within walking distance and many on "Jazz Street" (otherwise known as Gibbs Street during the rest of the year), which is closed off for the festival's nine days. In addition, about 70 free concerts are presented on outdoor stages and other free venues.
In 2009, attendance was estimated at a record 133,000 for the 225 concerts presented.
In 2010, 162,000 people attended the Xerox Rochester International Jazz Festival's 250 concerts presented over nine days, breaking the record set the prior year of 133,000.
2011 saw another record setting year with 285 concerts presented over nine days and in 18 different venues. Attendance reached an all-time high of 182,000.
In 2012, the 11th Edition hit another attendance record of 187,000, a record number of headliner sell-outs, the addition of new venue, Hatch Recital Hall and 9 days of spectacular weather. Norah Jones, Diana Krall, Steve Martin & The Steep Canyon Rangers, Esperanza Spalding, Zappa Plays Zappa, and Daryl Hall "Live From Daryl's House" with special guest Keb' Mo' headlined this year.
Read more about Rochester International Jazz Festival: Festival History, Past Performers
Famous quotes containing the words rochester, jazz and/or festival:
“The clog of all pleasure, the luggage of life,
Is the best can be said for a very good wife.”
—John Wilmot, Earl Of Rochester (1647–1680)
“The basic difference between classical music and jazz is that in the former the music is always greater than its performance—Beethoven’s Violin Concerto, for instance, is always greater than its performance—whereas the way jazz is performed is always more important than what is being performed.”
—André Previn (b. 1929)
“Don’t you know there are 200 temperance women in this county who control 200 votes. Why does a woman work for temperance? Because she’s tired of liftin’ that besotted mate of hers off the floor every Saturday night and puttin’ him on the sofa so he won’t catch cold. Tonight we’re for temperance. Help yourself to them cloves and chew them, chew them hard. We’re goin’ to that festival tonight smelling like a hot mince pie.”
—Laurence Stallings (1894–1968)