Roberta Williams - Career

Career

In the 1980s and 1990s, Roberta and her husband, Ken Williams, were leading figures in the development of graphical adventure games. In 1980, they founded the company On-Line Systems, which later became Sierra On-Line. The first Williams' title was Mystery House (1980), which became known as the first graphical adventure game. The second title, Wizard and the Princess (1980), added color graphics. But the first serious success was the King's Quest series, which featured a "large expansive world" that could be explored by players. After that, Roberta Williams designed such titles as Mixed-Up Mother Goose (1987), The Colonel's Bequest (1989), and Phantasmagoria (1995), which was the first in her career to be developed in the full-motion video technology. Phantasmagoria featured extreme violence and rape scenes. The game has received mixed reviews. Though Sierra was sold in 1996, Williams' production credits date to 1999, when she retired from Sierra On-Line. Roberta posed for the cover of the game Softporn Adventure by Chuck Benton, published by On-line Systems. She also posed much later with her children as Mother Goose for the cover photograph of Mixed-Up Mother Goose. The end sequence of Leisure Suit Larry 3 features her as an in-game character.

Ars Technica stated that Roberta Williams was "one of the more iconic figures in adventure gaming". GameSpot once named her as the number ten in their list of "the most influential people in computer gaming of all time" for "pushing the envelope of graphic adventures" and being "especially proactive in creating games from a woman's point of view, and titles that appealed to the mainstream market, all the while integrating the latest technologies in graphics and sound wherever possible." In 1997, Computer Gaming World ranked her as number 10 on the list of the most influential people of all time in computer gaming for adventure game design. In 2009, IGN placed the Williams at 23rd position on the list of top game creators of all time, expressing hope that "maybe one day, we'll see the Williams again as well."

Since her retirement in 1999, she has stayed away from the public eye and rarely gives interviews to talk about her past with Sierra On-Line. However, in a 2006 interview, she admitted that her favorite game she created was Phantasmagoria and not King's Quest: "If I could only pick one game, I would pick Phantasmagoria, as I enjoyed working on it immensely and it was so very challenging (and I love to be challenged!). However, in my heart, I will always love the King’s Quest series and, especially, King’s Quest I, since it was the game that really 'made' Sierra On-Line." Williams has also often stated that her games are explicitly targeted toward a more affluent and educated audience than other games, raising criticisms of elitism. In a 1999 interview, she summed up her feelings: "Back when I got started, which sounds like ancient history, back then the demographics of people who were into computer games, was totally different, in my opinion, than they are today. Back then, computers were more expensive, which made them more exclusive to people who were maybe at a certain income level, or education level. So the people that played computer games 15 years ago were that type of person. They probably didn't watch television as much, and the instant gratification era hadn't quite grown the way it has lately. I think in the last 5 or 6 years, the demographics have really changed, now this is my opinion, because computers are less expensive so more people can afford them. More "average" people now feel they should own one."

In a 2006 interview, Williams said that designing computer games was in the past for her then and that she intended to write a historical novel. However, in 2011, the video game website Gamezebo reported that Roberta Williams was working on a social network game Odd Manor.

Read more about this topic:  Roberta Williams

Famous quotes containing the word career:

    What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.
    Arlie Hochschild (20th century)

    I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.
    Ruth Behar (b. 1956)

    John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.
    Henry David Thoreau (1817–1862)