Painting Career
Through his marine life paintings, sculptures, and photography, Wyland has raised awareness of marine life conservation. His life – like his art – can find him anywhere around the world, at any time, from the Antarctic ice shelf on a photo expedition to document climate change to a grassroots journey down the Mississippi River on a mission of conservation.
The multi-faceted artist, scuba diver, educator, and explorer has hosted several television programs, including, “Wyland’s Ocean World” series on the Discovery Channel’s Animal Planet Network, “Wyland: A Brush With Giants” and “Wyland’s Art Studio,” a series for national public television. His mission of engaging people through nature-themed art and a more environmentally friendly lifestyle has led to strategic alliances with such notable organizations as the United States Olympic Team, United Nation Environment Program, and Walt Disney Studios, to name a few.
Wyland’s 100th and final Monumental Marine Life Mural, Hands Across the Oceans, a 24,000-square-foot, half-mile-long series of canvas murals with student artists from 110 countries, was displayed in October 2008 at the National Mall in Washington, D.C., and honored by the National Park Service, Smithsonian Institution, White House Council on Environmental Quality, and the U.S. Department of the Interior. In May 2010, the United Nations released six Wyland images for an international stamp issue celebrating the 50th Anniversary of the Intergovernmental Oceanographic Commission.
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Famous quotes containing the words painting and/or career:
“A society person who is enthusiastic about modern painting or Truman Capote is already half a traitor to his class. It is middle-class people who, quite mistakenly, imagine that a lively pursuit of the latest in reading and painting will advance their status in the world.”
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“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
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